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John Butcher / Thomas Lehn / Matthew Shipp: The Clawed Stone
by John Sharpe
The unlikely conjunction of American pianist Matthew Shipp, most strongly associated with New York avant jazz, and British saxophonist John Butcher and German electronicist Thomas Lehn, two leading exponents of the European free improvisation scene, works like a dream on The Clawed Stone. It's not a one off. The genesis of this 2017 Paris studio session ...
Mars Williams / Vasco Trilla: Spiracle
by John Sharpe
Both American reedman Mars Williams and Spanish percussionist Vasco Trilla show themselves well grounded in the duet configuration, although this appears to be only Williams' second documented encounter in the sole company of a drummer. For Trilla, the situation is more normal. His track record embraces pairings with a wide array of wind instrumentalists (as well ...
Daniel Carter: Telepathic Mysteries, Vol. 1
by John Sharpe
The crew responsible for Telepathic Mysteries will be familiar to anyone who has encountered drummer and label boss Federico Ughi's 577 Records. First among equals is veteran multi-instrumentalist Daniel Carter, who serves as the focal point in a co-operative completed by Patrick Holmes on clarinet, Matthew Putman on keyboards and Hilliard Greene on bass. That same ...
Agustí Fernández / Liudas Mockūnas: Improdimensions
by John Sharpe
As one of Lithuania's premier improvisers, reedman Liudas Mockūnas has partnered an enormous array of visiting luminaries over the years. The duet is a favored format which has seen the multi-instrumentalist in tandem with bassist Barry Guy, drummer William Hooker and guitarist Marc Ducret, just to name those documented on NoBusiness Records. Here ...
Mary Halvorson: Artlessly Falling
by John Sharpe
Not content with having scaled the heights of the guitar pantheon, with the second release from Code Girl, Mary Halvorson also cements her place in a unique genre of her own design. As befits someone who has taken to heart Anthony Braxton's dictum to find her own musical voice, she presents something which is part art ...
Eric Revis: Slipknots Through a Looking Glass
by John Sharpe
On Slipknots Through a Looking Glass, bassist Eric Revis helms a five strong unit to experimental ends juxtaposing emotionally ambiguous abstraction with gut punch drive. To cover the bases he unites saxophonists Bill McHenry and Darius Jones from the quartet which waxed In Memory Of Things Yet Seen (Clean Feed, 2014), with the pianist Kris Davis ...
Kaze: Sandstorm
by John Sharpe
French-Japanese cooperative Kaze continues to thrive on Sandstorm, its fifth release. This time out, the enduring line-up of pianist Satoko Fujii, trumpeters Natsuki Tamura and Christian Pruvost, and drummer Peter Orins, is supplemented by New York-based electronic artist Ikue Mori, on a program of seven cuts from a NYC studio session in February 2020.
Colin Hinton: Simulacra
by John Sharpe
It would have been a shame if drummer and composer Colin Hinton's Simulacra, released in 2019, fell through the cracks. On this, his second leadership outing in the wake of Glassbath (Snake And Cornelia, 2018), he captains a crew of current and former Brooklyn-based talent in a mysterious but satisfying set. Hinton merges compositional elements with ...
Anna Webber: Rectangles
by John Sharpe
Canadian saxophonist Anna Webber's quartet provides a second winning entry in Out Of Your Head Records' digital Untamed series, following Nick Dunston's Atlantic Extraction: Live At Threes (2020). Webber calls the band Rectangles after a composition inspired by a sequence of 10-second videos on the YouTube test channel Webdriver Torso which consist of a string of ...
Ballister: Znachki Stilyag
by John Sharpe
Although the title, composed of two unrelated Russian words chosen because they sounded good, doesn't have a meaning, the contents not only sound good but carry rather more weight. The high intensity free jazz trio Ballister comprises reedman Dave Rempis, cellist Fred Lonberg-Holm and drummer Paal Nilssen-Love, three of the finest proponents on their instruments in ...
