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Joe McPhee & Evan Parker: Sweet Nothings For Milford Graves
by John Sharpe
Two soprano saxophones loosely harmonize. They finish each other's lines, languidly intertwine, pause for air at the same moment. And simultaneously end on a dime. Musical twins. In the wrong hands such empathy might become soporific; but with two of the planet's foremost improvisers on hand in the persons of Evan Parker and Joe McPhee, instead ...
Francisco Mela: Music Frees Our Souls Vol. 2
by John Sharpe
The three protagonists gaze out from the cover, variously smiling, appearing wryly amused, and looking stern. The image suggests a will to tackle things head on, without artifice or adornment. To tell it like it is. And that is the result: a thrilling no-nonsense representation of the combined artistry of drummer Francisco Mela, pianist Cooper-Moore and ...
Cory Smythe: Smoke Gets In Your Eyes
by John Sharpe
The startling molten sounds which open pianist Cory Smythe's Smoke Gets In Your Eyes signal that this will be no ordinary journey. On the first four cuts he draws on a stellar 11-strong squad which matches leading cutting edge figures such as saxophonist Ingrid Laubrock, trumpeter Peter Evans and cellist Tomeka Reid, with colleagues from the ...
Dominic Lash, Alex Ward: Antonyms
by John Sharpe
Can an album's contents be any less summed up by its title? While Antonyms suggests opposition, the collaboration between bassist Dominic Lash and clarinetist & guitarist Alex Ward evidences rather more empathy than contradiction. That is unsurprising given regular appearances in each other's bands as well as collective arenas going back at least to Barkingside (FMR, ...
Chad Fowler: Alien Skin
by John Sharpe
Although the group responsible for Alien Skin might be a one-off, unlikely to meet again in this exact configuration, it contains sufficient prior connections to vouchsafe cohesion, to go with the undoubted quality. Bassist William Parker furnishes the common denominator, having previously recorded with all of the participants, even relative newcomer, reed player Zoh Amba, while ...
Gebhard Ullmann / Steve Swell / Hilliard Greene / Barry Altschul: We're Playing In Here?
by John Sharpe
For musicians, one consolatory by-product of lockdown was the chance to reappraise the archives, which led to a subsequent bonanza of deserving material reaching the marketplace. Whether that was the genesis of the limited edition LP We're Playing In Here? is a moot point, but this 2007 studio recording by the Gebhard Ullmann / Steve Swell ...
The Attic—Rodrigo Amado / Gonçalo Almeida / Onno Govaert: Love Ghosts
by John Sharpe
Portuguese tenor saxophonist Rodrigo Amado has steadily become one of the premier players in the European free jazz arena, having banked the experience that comes through working with the likes of multi-instrumentalist Joe McPhee, trumpeter Peter Evans and pianist Alexander von Schlippenbach, reaping a rich dividend. Just how can be readily heard on Love Ghosts, the ...
John Sharpe's Best Jazz Albums Of 2022
by John Sharpe
From the 200 or so discs that I heard in 2022, here are eleven new issues (in roughly the order I came across them), which gave me the most pleasure. As ever I find it particularly invidious to pick and choose between honest artistic endeavours. So perhaps it's better to view these selections as a chance ...
Kobe Van Cauwenberghe: Plays Anthony Braxton
by John Sharpe
Works by Anthony Braxton appear occasionally in the repertoire of others, but it is exceptional for entire albums to be devoted to them. That is especially true for some of his later works. But Belgian guitarist Kobe Van Cauwenberghe looks to rectify that. He already has one such outing under his belt—Ghost Trance Solos (ATD, 2020)—but ...
Dominic Lash / Pat Thomas: New Oxford Brevity
by John Sharpe
For the potential listener seeing Dominic Lash's name on a record sleeve, there is the conundrum of which of his guises this might signal. While primarily known as a bassist, he pursues his craft across several areas, from straightforward free improv, as heard on Discernment (Spoonhunt, 2021), to composition based left field jazz, with his Quartet ...
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