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Stacey Kent: The Changing Lights
by Bruce Lindsay
Stacey Kent is a jazz success story--not just in terms of her talent, but also in terms of her international popularity, with her previous three albums clocking up a total of over 500,000 sales. What makes her so successful? The Changing Lights, her tenth album, demonstrates all of the qualities.There's the material, a mix ...
Mark Lockheart: Ellington in Anticipation
by John Kelman
Ellington in Anticipation isn't Mark Lockheart's first album to employ an expanded lineup; the Polar Bear/Blue Touch Paper saxophonist collaborated with Germany's WDR Big Band on 2010's Days Like These (Fuzzy Moon) and first cut his teeth in Loose Tubes, the now-legendary large UK collective of then-up-and-comers that included pianist Django Bates, saxophonist Iain Ballamy and ...
Death, Rebirth & New Revolution
by Ian Patterson
The death knell has often been sounded for jazz and many would argue that the last revolution in jazz took place as the '60s handed the baton to the '70s, with the electronic-influenced jazz typified by trumpeter Miles Davis' ground breaking albums In a Silent Way (Columbia, 1969) and Bitches Brew (Columbia, 1970). Many believe that ...
London Jazz Festival: November 9-18, 2012
by Duncan Heining
London Jazz FestivalLondon, England November, 9-18, 2012Now in its 20th year, the London Jazz Festival is a vast, all-encompassing affair. One of the great cities of the world, London's history saw it swallow village upon village and hamlet after hamlet and this can make it all seem dispersed and disconnected. It's an ...
ACT: 20 Years of Magical Music
by Jakob Baekgaard
Nowadays, creating a record label is closer to the norm than the exception. The real sign of success in a fleeting music business, where the sale of records constantly declines, is staying power. This year, 2012, the German record label ACT Music is able to celebrate its 20th anniversary. Not a mean feat for a company ...
Colin Towns: Rule Book? What Rule Book?
by Ian Patterson
Since the 1970s, internationally renowned English composer/arranger/pianist/keyboard player Colin Towns has enjoyed an extremely varied musical existence. In that time, he has composed and arranged music in just about every setting imaginable, from heavy rock groups to jazz ensembles both small and large, and from theater to film and ballet. Little wonder, then, that his first ...
Loose Tubes: Sad Afrika
by John Kelman
Loose TubesSäd AfrikaLost Marble2012With virtually none of its discography available on CD--and the only one, Open Letter (EG, 1988), shamefully out-of-print--it's no mean accomplishment that Britain's Loose Tubes has remained, if not exactly legendary, then at least firmly etched into the minds of those aware of them. Of ...
Mari Wilson: Cover Stories
by John Eyles
Back in the 1980s, when she was renowned for her retro beehive hairstyle and her spectacular live shows, Mari Wilson had a string of chart-making hits that included “Just What I Always Wanted" and “Cry Me a River." These days, the only remaining vestige of that hairstyle is in the name of her record label. More ...
Kenny Wheeler Big Band: The Long Waiting
by John Kelman
Kenny Wheeler Big Band The Long Waiting Cam Jazz 2012 While likely not the reason behind its title, The Long Waiting could easily fit for fans of the Canadian expat trumpeter who has lived in England since the 1950s. Since coming to Cam Jazz in 2004 with his duo recording with ...
Lars Danielsson: Liberetto
by John Kelman
With Tarantella (ACT, 2009)--his last studio recording excluding the career-spanning Signature Edition 3 (ACT, 2010) compilation-- Lars Danielsson raised the bar on a string of recordings demonstrating increased evolution on all fronts. If Liberetto doesn't exhibit the same degree of incremental stylistic growth that Tarantella did over previous albums including Pasodoble (ACT, 2007) and Mélange Bleu ...
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