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Festival International de Musique Actuelle de Victoriaville 2026
by Mike Chamberlain
Festival International de Musique Actuelle de Victoriaville Victoriaville, QC May 11-17 2026 The theme of the 42nd edition of the Festival International de Musique Actuelle de Victoriaville was change. This was the third edition of the festival under the artistic and general direction of Scott Thomson. The 40th edition in 2024 was ...
Bryan Murray & Jon Lundbom: Beats by Balto! Vol. 2
by Mark Corroto
Spinning Beats by Balto Vol. 2 in the midst of a global pandemic brings to mind a quote from Zack de la Rocha: Fear is your only god on the radio." The Rage Against The Machine frontman is begging you to turn off your radio, but somehow you just can't turn off Balto!'s beats.
AngelicA Festival: 25 anni
by Libero Farnè
Centro di ricerca musicale Bologna 02-31.05.2015 John Oswald coadiuvato da Domenico Caliri, Chris Cutler & Co. Gianni Gebbia e Carl Stone, Sidsel Endresen con Stian Westerhus: pillole, ma tonificanti, di un festival durato un mese e votato a «presentare musica in continuo movimento senza adagiarsi sulle novità" o sul consolidato," ...
Number Nine
By John Oswald
Label: Emanem
Released: 2007
Track listing: 01. Canal - 13:42;
02. Sister - 3:47;
03. Staircase - 5:12;
04. Instants - 5:05;
05. Nine - 12:51;
06. Centre - 7:14;
07. Harbourfront - 2:14;
Tutte le composizioni sono di Keith - Oswald - Turner
Michael Keith - John Oswald - Roger Turner: Number Nine
by AAJ Italy Staff
Il chitarrista canadese Michael Keith e il percussionista inglese Roger Turner hanno posto le basi di questo disco già nel 2003, esibendosi in un piccolo ritrovo di Toronto, il Mitzi's Sister. Turner si trovava in Canada per un tour e Michael l'invitò a suonare con lui, assieme ad altri improvvisatori dell'avanguardia locale. L'anno successivo il chitarrista ...
Bloor
By John Oswald
Label: CIMP Records
Released: 2001
Track listing: Two/ Four/ Five/ Six/ Nine/ Ten/ Eleven/ Coda/ Cadence.
John Oswald/Dominic Duval/David Prentice: Bloor
by Derek Taylor
From the opening strains of the first track this trio punches gaping holes in any notion of regarding them as typical chamber jazz ensemble. The requisite instrumentation is in place- reeds and strings. But the resultant music is a distant cry from the sweet sonorities and austere contemplation so often associated with such a set-up. The ...



