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John O'Gallagher: The Honeycomb
by Mark Corroto
What if jazz was rock-and-roll? Not the corporate-halftime show-American Idol rock, but the dangerous music your parents (maybe grandparents) were afraid of. Remember, there was a time when jazz was threatening. Charlie Parker and Dizzy Gillespie startled listeners with their revolutionary 'bebop,' before Ornette Coleman and Albert Ayler caused fist fights and mini-riots. Jazz has since ...
John O'Gallagher: The Honeycomb
by Dan McClenaghan
Bring up the trio format, one with an alto saxophone, bass and drums, and Ornette Coleman, alto man extraordinaire, might come to mind, especially those fantastic Blue Note Records sets, The Ornette Coleman Trio at the Golden Circle Stockholm, Volume One and Two (1965). In fact, alto saxophonist John O'Gallagher, on The Honeycomb, has a lyricism ...
Samo Salamon: 2Alto
by Hrayr Attarian
Slovenian guitarist Samo Šalamon is ever the intrepid adventurer of modern music. With each release he explores new sonic textures and harmonic ideas. The 2014 2 Alto on Steeplechase is no different. Šalamon combines his polyphonic guitar-work with the contrasting and complementary sounds of saxophonists Loren Stillman and John O'Gallagher and the propulsive beats of frequent ...
Samo Salamon: 2Alto
by Vincenzo Roggero
Settantacinque minuti di musica e non sentirli. Merito del chitarrista di origine slovena Samo Salamon e del suo bassless quartet, formazione atipica, una sorta di espansione dei differenti trii che Salamon ha allestito con musicisti del calibro di Tim Berne, Tom Rainey, Paul McCandless, Achille Succi. L'assenza del contrabbasso, se da un lato è uno spot ...
John O'Gallagher Trio at Triskel Arts Center, Cork
by Ian Patterson
John O'Gallagher Trio Triskel Arts Center Cork, Ireland March 22, 2014 Had there been a stage invasion--a historically rare occurrence at a jazz gig--saxophonist John O'Gallagher's trio, armed with its sticks, wood and metal--and with the ace up its sleeves of the high ground--would no doubt have repelled the waves. ...
Joshua Shneider: Love Speaks Orchestra
by Angelo Leonardi
Il debutto discografico della Love Speaks Orchestra di Joshua Shneider colpisce nel segno. Sassofonista di lunga esperienza, Shneider viene da Boston ma vive a New York dalla metà degli anni settanta e ha collaborato in veste di compositore/arrangiatore per piccole e grandi formazioni: da quelle di Donald Brown, John Abercrombie e James Williams alla ...
Pete Mills: The Anatomy Of A Jazz Release
by Mark Corroto
I'm here to tell you that everything you thought about the making of a modern jazz records is wrong. The notion that there are talent agents selling concepts to record companies—wrong. That bands work on tunes, perfecting them for months before entering the studio—wrong. That jazz musicians make money from records—again, wrong. I had ...
The Anton Webern Project
Label: Whirlwind Recordings
Released: 2013
Track listing: Schnell; Three Songs; Five Pieces; Quartet; Seventh Ring; The
Secret Code; Ways Going Over; All This World.
Alan Ferber: March Sublime
by Mark Corroto
When you open a nice bottle of red wine, to get the best results, it is better to set the bottle aside for some time. You let the wine, as they say, “breathe," allowing oxygen to bring out the hidden flavors. Same for a big band recording like Alan Ferber's March Sublime. Instead of setting the ...
John O'Gallagher: The Anton Webern Project
by C. Michael Bailey
Here's to avant-garde jazz. Unruly and ill-behaved, the seeds planted by saxophonists Ornette Coleman and John Coltrane, and carried forward by reed multi-instrumentalist Anthony Braxton and melded with trumpeter Miles Davis's Post-bop, gave rise to a brand of jazz that, while not the complete chaos of free jazz, nevertheless possessed such an inventive spirit that begged ...
