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480

Article: Album Review

John McLaughlin: Where Fortune Smiles

Read "Where Fortune Smiles" reviewed by Walter Kolosky


The truth be told, Where Fortune Smiles was not originally released under the leadership of John McLaughlin. Its reissue on CD with McLaughlin as leader seems to exist for marketing purposes only. The reissue notes indicate a 1971 recording date, but my memories of its original release on PYE Records suggest that it was recorded a ...

498

Article: Album Review

John McLaughlin: My Goals Beyond

Read "My Goals Beyond" reviewed by Walter Kolosky


Technically, the acoustic guitar playing on 1970's My Goals Beyond does not approach the skill exhibited on most of John McLaughlin's recordings. Flubbed notes pop up here and there, and although this album is famous for McLaughlin's “solo" renderings of such classic tunes as Mingus' “Good-Bye Pork-Pie Hat," Bill Evans and Miles Davis' “Blue in Green" ...

373

Article: Album Review

John McLaughlin: Music Spoken Here

Read "Music Spoken Here" reviewed by Walter Kolosky


Finally available from Wounded Bird Records, 1982's Music Spoken Here features the same line-up as the previous year’s Belo Horizonte. MSH is a little rougher around the edges than the earlier effort. This may be seen as an improvement to some, as the music is a bit wilder. But to others, the compositions may seem a ...

600

Article: Album Review

John McLaughlin and Carlos Santana: Love, Devotion and Surrender

Read "Love, Devotion and Surrender" reviewed by Walter Kolosky


Quick! Name an album on which John McLaughlin plays piano and Jan Hammer plays drums. Give up? The answer: the much loved but often maligned 1973 collaboration between Carlos Santana and John McLaughlin, Love, Devotion and Surrender. (At this time John was still MAHAVISHNU and Carlos was not quite yet DEVADIP.) Now if anyone out there ...

444

Article: Album Review

John McLaughlin: The Heart of Things

Read "The Heart of Things" reviewed by Walter Kolosky


The Heart of Things allows John McLaughlin to surround himself with some young monsters. A strong line-up on this 1997 record includes McLaughlin alumni Jim Beard on keyboards and Dennis Chambers on drums, as well as electric bassist Matthew Garrison and saxophonist Gary Thomas. The youthful newcomers, Garrison and Thomas, front bands of their own and ...

375

Article: Album Review

John McLaughlin: Devotion

Read "Devotion" reviewed by Walter Kolosky


Originally released in 1970 but re-released regularly since, Devotion is a hard driving, spaced-out, distorted hard-jazz-rock album featuring organist Larry Young, drummer Buddy Miles, and the little known bassist Billy Rich. This album was recorded close to the period when McLaughlin had been jamming with Jimi Hendrix, Young, Miles and Dave Holland. Terrible bootlegs exist of ...

403

Article: Album Review

John McLaughlin with The One Truth Band: Electric Dreams

Read "Electric Dreams" reviewed by Walter Kolosky


The last three minutes of “Desire and the Comforter" from Electric Dreams say it all about John McLaughlin. He just tears apart his electric guitar with cascades of funk, blues, rock, jazz, and Far-Eastern scales. Every strike of a string has individual meaning. His guitar soars above the chord changes and captures the spirit of the ...

565

Article: Album Review

John McLaughlin: Electric Guitarist

Read "Electric Guitarist" reviewed by Walter Kolosky


If you listen to McLaughlin's version of “My Foolish Heart" from 1978's Johnny McLaughlin - Electric Guitarist, it's hard to logically explain how the same guitarist had also produced the sounds found on so many of his earlier records. It's hard to reconcile this tune with his approach on his debut Extrapolation, Miles' Tribute to Jack ...

475

Article: Album Review

John McLaughlin: Belo Horizonte

Read "Belo Horizonte" reviewed by Walter Kolosky


Shame, shame, shame on Warner Brothers for not releasing 1981's Belo Horizonte on CD until more than 18 years after it went out of print! Belo's original claim to fame was that McLaughlin played acoustic and the rest of the band played electric--apparently a new technological breakthrough! (The fact was announced loudly by a big sticker ...

437

Article: Album Review

John McLaughlin: After the Rain

Read "After the Rain" reviewed by Walter Kolosky


After the Rain received much praise in 1994 from many critics who usually consider McLaughlin's approach to music a bit too cosmic. The feelings among McLaughlin devotees were more mixed, however--there was some talk that McLaughlin may be running out of ideas. After all, this was the second tribute album he had released in the last ...


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