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Improvised Music Company: Orbital Pathways, Gravitational Pull
by Ian Patterson
Arguably some of the most dramatic changes in jazz have taken place in the last quarter of its century-long history: the emergence of a strong European jazz identity/identities; technological advances that empower individuals to become their own producers; Youtube, which has all but erased the boundary between past and present; the increase in pedagogical institutions; pan-national ...
Tisziji Munoz: Alpha Nebula Expanded: The Monster Peace
by Dave Wayne
The visionary guitarist Tisziji Munoz was introduced to the listening public in the late 1970s as a sideman on a now impossibly rare Pharoah Sanders album (Pharoah, India Navigation, 1977). This was followed by his debut as a leader, Rendezvous With Now (India Navigation, 1978). After a decade-long gap in recording activity, Munoz began releasing albums ...
Nigel Price: Heads & Tales Volume 2
by Roger Farbey
Nigel Price's second volume of Heads & Tales is, quite literally, a game of two halves. As with the first volume, released in 2011, it incorporates two CDs each containing different versions of standards. The first disc, where Price is accompanied by Matt Home on drums and Ross Stanley on Hammond organ, plus guest saxophonists Alex ...
John Scofield's Country for Old Men at the Ardmore Music Hall
by Mike Jacobs
John Scofield's Country for Old Men The Ardmore Music Hall Ardmore, PA September 24, 2016 There are probably only are a handful of guitarists with a catalog as deep and stylistically diverse as John Scofield's. One of the obvious perils that these artists encounter when touring is facing an audience with ...
Jack Bruce: Things We Like
by Sacha O'Grady
Jack Bruce remains one of the most enduring and fascinating figures of late 20th century popular music. By the age of eleven, he had already written his own string quartet, before eventually attending the Royal Scottish Academy of Music, from which he left at the age of seventeen having become disenchanted with his tutors and also ...
John McLaughlin, Al DiMeola, Paco DeLucia: Friday Night in San Francisco
by Sacha O'Grady
On 5th December, 1980, Al Di Meola, John McLaughlin, and Paco De Lucia were two months into what had so far been an extremely successful and creative tour. Even just the concept itself was intriguing--three guitarists, and acoustic to boot! With not a drummer, percussionist, or bassist in sight. The sheer novelty of it all. Recorded ...
Guitarist & Composer Marcus Corbett To Release New Album Every Little Spirit October 2016
Much to the anticipation of music aficionados worldwide, music artist Marcus Corbett will be releasing his new album Every Little Spirit in October 2016! Marcus is an acoustic guitarist, singer and composer based between Marlborough, UK and Pune, Maharashtra, India. Gradually, during repeated expeditions in India over the last decade or more, having immersed himself in ...
John McLaughlin & Paco de Lucia: Paco and John - Live at Montreux 1987
by John Kelman
It's truly a shame that, all too often, artists with diverse careers become pigeon-holed, defined by the primary genre in which they first achieved notoriety. Take guitarist John McLaughlin, for instance. Ask most jazz fans about him and what will first come out of most of their mouths will include either the words fusion," jazz-rock" and/or ...
Per Mathisen: Sounds of 3
by Geno Thackara
We never solo, we always solo." Like so many great ideas, Joe Zawinul's iconic line about his group Weather Report is both brilliantly simple and allows for endless possibilities. No single player gets featured in the spotlight while the others provide a steady pattern behind them; rather everyone constantly improvises around the framework of a given ...
Carla Bley: Shoe Leather, Mystery & Moxie
by Ian Patterson
This article was first published at All About Jazz on July 28, 2016. With the passing of time. That's roughly how the title of Carla Bley's second trio album for ECM translates. Bley turned eighty a few months before the release of Andando el Tiempo but the passing years, if anything, have sharpened her ...


