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Results for "John Lewis"
Old Jazz, New Jazz, Obscure Jazz
by Jerome Wilson
This show features a combination of newer jazz releases, older classic artists and a few obscurities. Music is heard from, among others, Julie Driscoll (Tippetts), Arturo O'Farrill, Eric Alexander, Joe Rosenberg, Betty Carter and the Don Rendell / Ian Carr Quintet. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The ...
Lennie Tristano Personal Recordings, 1946-1970
by Peter Rubie
They called it the Cool School, but what's in a name?In this case, quite a lot as it happens. The Cool School included musicians like Chet Baker, John Lewis and the Modern Jazz Quartet, and Dave Brubeck. Under the guidance of arranger and composer Gil Evans, it established itself in an unquestionable way with ...
Half Nelson: Cool Perfection
For those who don't quite get East Coast cool jazz or why it's special, I have two words for you: Half Nelson. The song, credited to Miles Davis, was first recorded for Savoy in 1947 by the Miles Davis All Stars, featuring Miles Davis (tp), Charlie Parker (ts), John Lewis (p), Nelson Boyd (b) and Max ...
Dmitry Baevsky: Soundtrack
by David A. Orthmann
A collection of songs, some of which are likely to be included in aficionados' play lists; interpretations that don't stray very far off the beaten path; and a band of players who share a vision of how the material should be handled. It's the recipe for many recordings—past, present and future— within the mainstream of jazz. ...
The Modern Jazz Quartet: From Residency To Legacy
by Kyle Simpler
There are plenty of fictional stories about utopian societies where life is good and everybody gets along. Of course, the word utopia literally means “no place," suggesting that an actual utopia is nothing more than an illusion, but that hasn't stopped people from trying. Although there are many utopian societies that didn't work, there are a ...
Jill McCarron Trio with Will Anderson: Jazz Motif
by Jack Bowers
Pianist Jill McCarron's latest recording, Jazz Motif, gets off to a flying start with Will Anderson's irrepressible alto saxophone setting the pace on a fiery rendition of “All God's Chillun Got Rhythm" and his radiant flute showcased on John Lewis' groovy “Concorde." Alas, Anderson isn't heard again until Tracks 7 (Clare Fischer's “Ontem a Noite") and ...
The Pandemic Sessions: Duos, Part 1
by Mark Corroto
After the initial shock of the COVID-19 crisis and subsequent lockdown, artists did what artists do. Unable to tour, many musicians created solo projects. Musicians, like other sentient beings though, crave contact, so when some of the most severe restrictions lifted, duos were formed and production returned. These small positive steps (note: some were recorded before ...
Clifford Brown’s Trumpet and One Summer in Atlantic City
by Arthur R George
Part 1 | Part 2 For 22-year-old trumpeter Clifford Brown, the summer of 1953 in Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less ...
Ease: Chardonnay meets The Modern Jazz Quartet
by Kristen Lee Sergeant
I'm thrilled to have you back for the second month of “Jazz & Juice“--thanks to all of you who made April's adventure all the more fun with your comments on the article, video, and podcast. I'm excited to share this month's music and wine with you without further ado! EaseI've found that the biggest ...
Ulysses Owens Jr. Big Band: Soul Conversations
by Jack Bowers
Drummer Ulysses Owens Jr.'s Big Band comes out swinging on its debut recording, Soul Conversations, thundering through Michael Dease's incendiary arrangement of the Dizzy Gillespie/John Lewis flame-thrower, “Two Bass Hit." For more such heat, however, the listener must move forward to Track 5, John Coltrane's impulsive “Giant Steps," thence to Track 9 for Charles Turner III's ...
