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25

Article: Big Band Caravan

Darmstadter Big Band / Alon Yavnai–NDR Big Band / Red Bank Jazz Orchestra

Read "Darmstadter Big Band / Alon Yavnai–NDR Big Band / Red Bank Jazz Orchestra" reviewed by Jack Bowers


Dartstadter Big BandKentomaniaSelf Published2010 Of all the recorded tributes to the legendary Stan Kenton released during the centennial of his birth (2011), the Darmstadter Big Band's Kentomania (it's spelled that way on the jacket cover and disc) is unequaled for one reason alone: it has former Kenton ...

77

Article: Interview

Luis Perdomo: Walking Towards the Light

Read "Luis Perdomo: Walking Towards the Light" reviewed by R.J. DeLuke


Pianist Luis Perdomo's fingers dart across the keys, eloquently telling the stories that traverse his mind in that instant; doing so in a manner that enraptures an audience. He moves people, and does so in a manner that appears, on the surface, easy. Like great athletes. Like other great musicians. This is one of the finer ...

84

Article: Profile

Will The Real Joe Harriott Please Stand Up?

Read "Will The Real Joe Harriott Please Stand Up?" reviewed by Duncan Heining


The Jamaican saxophhonist Joe Harriott was, without doubt, one of the most important and innovative jazz musicians to emerge in Britain in the fifties and early sixties. He arrived in Britain in 1951 with Ozzie Da Costa's band, which was en route for an engagement in Germany playing US army bases. Much to his erstwhile boss's ...

135

Article: Live Review

Ron Carter at 75: New York, March 27, 2012

Read "Ron Carter at 75:  New York, March 27, 2012" reviewed by Bob Kenselaar


Ron Carter at 75: A Life in MusicAlice Tully HallNew York, NYMarch 27, 2012On the night of the Juilliard School's tribute to Ron Carter, electronic billboards lining 65th Street near Lincoln Center flashed bright pictures of the iconic jazz bassist. The event was a lot like the man and his music: ...

65

Article: Album Review

Ron Carter's Great Big Band: Ron Carter's Great Big Band

Read "Ron Carter's Great Big Band" reviewed by Raul d'Gama Rose


There is practically nothing that Ron Carter has not done, including actually playing second bass fiddle to Charles Mingus on Three Or Four Shades Of Blue, (Atlantic, 1977). Ever since the world shone a spotlight on the bassist when he graced the great quintet of Miles Davis, with Tony Williams, Herbie Hancock and Wayne Shorter, Carter ...

127

Article: Extended Analysis

Eric Bibb: Deeper In The Well

Read "Eric Bibb: Deeper In The Well" reviewed by Chris May


Eric BibbDeeper In The WellDixie Frog2012As bluesman Willie Dixon affirmed, you can't judge a book by looking at its cover. But you often can from reading the first paragraph. Switching your receptors from visual to audio, so it is with the first few bars of an album's opening ...

98

Article: Big Band Caravan

Skelton Skinner All Stars / Clare Fischer Big Band / Ron Carter's Great Big Band

Read "Skelton Skinner All Stars / Clare Fischer Big Band / Ron Carter's Great Big Band" reviewed by Jack Bowers


Skelton Skinner Allstars Big BandCookin' with the Lid OnDiving Duck Records2012 Back in the late 1950s, vibraphonist Terry Gibbs (with some help from his friends) put together an ensemble that became known as the Terry Gibbs Dream Band, took up residence in Hollywood and began blowing audiences ...

113

Article: Catching Up With

Ahmad Jamal

Read "Ahmad Jamal" reviewed by Chris May


In February 2010, at the well seasoned age of 80, pianist Ahmad Jamal released A Quiet Time on Dreyfus Records. It is an album many observers regard as up there in the stratosphere along with such landmark Jamal discs as Chicago Revisited (Telarc, 1992) or A L'Olympia (Dreyfus, 1996), to name just two of many--or even ...

Album

Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64

Label: Mosaic Records
Released: 2011
Track listing: Tracks: CD1 Fontessa: Versailles (Porte de Versailles); Angel Eyes; Fontessa; Over the Rainbow; Bluesology; Willow Weep for Me; Woody 'n You. The Modern Jazz Quartet at Music Inn: Oh Bess, Oh Where's My Bess; A Fugue for Music Inn; Two Degrees East; Serenade; Fun; Sun Dance; The Man That Got Away; A Morning in Paris; Variation No. 1 on God Rest Ye Merry Gentlemen. CD2 The Modern Jazz Quartet: Medley (They Say It's Wonderful/How Deep is the Ocean/(I Don't Stand) A Ghost of a Chance With You/My Old Flame/Body and Soul); Between the Devil and the Deep Blue Sea; La Ronde Drums; A Night in Tunisia; Yesterdays; Bags' Groove; Baden-Baden. One Never Knows (No Sun in Venice: The Golden Striker; One Never Knows; The Rose Truc; Cortege; Venice; Three Windows. CD3 The Modern Jazz Quartet at Music Inn, Volume 2: Medley (Stardust/I Can't Get Started/Lover Man); Yardbird Suite; Midsummer; Festival Sketch; Bags' Groove; A Night in Tunisia. Pyramid: Vendome; Pyramid; It Don't Mean a Thing (If It Ain't Got That Swing); Django; How High the Moon; Romaine. CD4 Third Stream Music: Da Capo; Fine; Exposure; Sketch; Conversation. The Modern Jazz Quartet and Orchestra: Around the Blues; Divertimento; England's Carol; Concertino For Jazz Quartet and Orchestra, First Movement; Concertino For Jazz Quartet and Orchestra, Second Movement (Passacaglia); Concertino For Jazz Quartet and Orchestra, Third Movement. CD5 The Comedy: Spanish Steps; Columbine; Pulcinella; Pierrot; La Cantatrice; Harlequin; Piazza Navona. Lonely Woman: Lonely Woman; Animal Dance; New York 19; Belkis; Why Are You Blue; Fugato; Lamb, Leopard; Trieste. CD6 The Sheriff: The Sheriff; In a Crowd; Bachianas Brasilieras; Mean to Me; Natural Affection; Donnie's Theme; Carnival. A Quartet is a Quartet is a Quartet: Reunion Blues; Winter Tale; Concorde; Yesterdays. The Alternate Takes: Bluesology (stereo take); Woody 'n You (stereo take); Sun Dance (Stereo take); Django (mono take); La Cantatrice (mono take); Harlequin (mono take). CD7 Collaboration: Silver; Trieste; Valeria; Fugue in A Minor; One Note Samba; Foi a Saudade; Concierto de Aranjuez. The Modern Jazz Quartet Plays George Gershwin's Porgy and Bess: Summertime; Bess, You is My Woman; My Man's Gone Now; I Loves You Porgy; It Ain't Necessarily So; Oh Bess, Oh Where's My Bess; There's a Boat Dat's Leavin' Soon.

172

Article: Album Review

Tim Collins: Castles and Hilltops

Read "Castles and Hilltops" reviewed by William Grim


This is an excellent album by one of the finest vibraphonists on the scene today. Tim Collins combines the harmonic adventurousness of Gary Burton with a swinging style reminiscent of Milt Jackson and Bobby Hutcherson. Castles and Hilltops consists largely of original compositions that run a wide gamut of styles and expressive content. ...


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