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In the Country: Sounds and Sights
by John Kelman
In the Country Sounds and Sights Rune Grammofon 2011 Since releasing its 2005 debut, This Was the Pace of My Heartbeat, Rune Grammofon's In the Country has, in the softest, gentlest way possible, evolved its purview and sound world, establishing itself as a piano trio like no other. Through two ...
Helge Lien Trio: Natsukashii
by John Kelman
So, what do you do when you've won, amongst other accolades, the 2008 DnBNor Musicians Award and a Norwegian Grammy Award for Best Jazz Album of 2009? Well, if you're Helge Lien and the album is Hello Troll (Ozella, 2008), you just keep on keepin' on--in this fine pianist's case, continuing to hone the trio that's ...
Tom Harrell: The Time of the Sun
by John Kelman
With all the media attention being given--and deservingly so--to hot young firebrands like trumpeter Christian Scott, it's easy to overlook the older cats who've been quietly building a life's work where the only thing predictable is unfailing creativity. Tom Harrell may have turned 65 earlier this year, but he's still playing with the vigor of a ...
Chris Potter: Transatlantic
by John Kelman
He's not exactly been quiet, performing with drummer Paul Motian's trio on Lost in a Dream (ECM, 2010), and continuing his ongoing relationship with Dave Holland, recently heard on tour with the bassist's flagship quintet at the 2011 Montreal Jazz Festival, but it's been two years since Chris Potter released Ultrahang (ArtistShare, 2009), his last date ...
Nils Okland / Sigbjorn Apeland: Lysoen: Hommage a Ole Bull
by John Kelman
The problem with being tagged as traditional is an inherent and immediate perception as being somehow retro or backwards-looking when, in truth, traditions ought to be living, breathing things whose definable frames of reference aren't necessarily confined by them. Norwegian violinist Nils Økland and pianist/harmonium player Sigbjørn Apeland know this better than most; in their 1982 ...
Various Artists: Johnny Boy Would Love This…A Tribute to John Martyn
by John Kelman
With the release of Heaven and Earth (Hole in the Rain, 2011), it seems that the world has heard the last of John Martyn, who passed away in 2009 a few months shy of his 61st birthday. This most personal of singer/songwriters has left a remarkable legacy, and while Johnny Boy Would Love This...A Tribute to ...
Fire!: unreleased?
by John Kelman
Moving from the studio to a live performance at Tokyo's SuperDeluxe club in the fall of 2010, Fire! both pares down and expands the sonic purview of its 2009 Rune Grammofon debut, You Liked Me Five Minutes Ago. Pared down in that saxophonist Mats Gustafsson, while still tripling on Fender Rhodes and live electronics, sticks solely ...
Mik Keusen's Blau: Nalu
by John Kelman
With the sudden appearance of pianist Nik Bärtsch and Stoa (ECM, 2006), a new musical paradigm emerged from Switzerland: a rigorous musical aesthetic combining post-Steve Reichian minimalism with funk and cross-cultural tinges of Japan and Indonesia. Bärtsch's music actually dates back to the early part of the millennium, but it was ECM's attention that gave the ...
Soft Machine: Tales of Taliesin: The EMI Years Anthology 1975-1981
by John Kelman
With the release of Bundles (Harvest, 1975), Soft Machine moved more definitively into the riff-based fusion territory that keyboardist/reed man Karl Jenkins had begun pushing the band since his arrival on Six (Sony, 1973). With reeds becoming increasingly less dominant, and the group's only remaining founding member, keyboardist Mike Ratledge, relegated to a backline position, this ...
Trumpeter Cuong Vu Interviewed at All About Jazz...And More!
New York may be the major incubator for all that's best in American jazz but there are healthy signs that vibrant scenes are emerging in other cities. In Seattle, there's something going on; an exciting scene is developing around a core of young musicians who see the jazz tradition not as one of emulation, but as ...
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