Home » Search Center » Results: John Kelman
Results for "John Kelman"
Charles Lloyd: Quartets
by John Kelman
ECM's Old & New Masters Edition series was not just created to bring material back into print. Some has been available on CD before, but an even bigger carrot for fans of the label is material that has never been on compact disc, like bassist Arild Andersen's three 1970s recordings, collected on Green in Blue (2010), ...
Eleni Karaindrou: Concert in Athens
by John Kelman
For more than two decades, Eleni Karaindrou has been composing film scores for Theo Angelopoulos and releasing soundtracks on ECM, including Ulysses' Gaze (1995), with violist Kim Kashkashian, and Music for Films, where Norwegian saxophonist Jan Garbarek performs music from the Greek film director's The Beekeeper (1986). Concert in Athens isn't Karaindrou's first live recording; 2006's ...
Iva Bittova: Iva Bittova
by John Kelman
In its four-plus decade career, ECM Records has done more to blur, stretch and dissolve musical boundaries than any other label on the planet. With the world becoming a smaller place it's also become a fertile breeding ground for cross-cultural, cross-genre cross-pollination, with ECM on the vanguard of the inevitable consequences, having released countless examples of ...
Mats Eilertsen Trio: Sails Set
by John Kelman
Sophomore recordings can be a challenge, especially if the debut is a winner. Slowly but surely, Mats Eilertsen has been building up his own discography as a leader, and starting to rival the Norwegian bassist's larger group of recordings as a sideman/guest. SkyDive (Hubro, 2012) expanded on Radio Yonder (Hubro, 2009) by turning an already superb ...
Wislawa
by John Kelman
Since returning to the ECM fold in 1994 to record Matka Joanna (1995), Tomasz Stańko has virtually rebooted a career that demonstrated significant promise back in the 1970s, when he released Balladyna (1976) for the label, and worked with others including Finnish drummer Edward Vesala and American bassist Gary Peacock. The Polish trumpeter was far from ...
Grand General: Grand General
by John Kelman
Despite many members barely into their thirties, Grand General is a Norwegian super group of sorts. Ola Kvernberg is, perhaps, best-known internationally for a string of recordings that, including Folk (Jazzland, 2009) and the more ambitious Liarbird (Jazzland, 2011), have garnered the violinist/violist plaudits like the DnB NOR Award at the 2012 Kongsberg Jazz Festival. Guitarist ...
Fire! Orchestra: Exit!
by John Kelman
Sometimes it's best not to predict. If the idea of expanding Fire!'s core trio of saxophonist/electric pianist Mats Gustafsson, bassist Johan Berthling and drummer Andreas Werlin into Fire! Orchestra's massive, 28-piece behemoth was based on the trio's extant discography-- You Liked Me Five Minutes Ago (Rune Grammofon, 2009), Unreleased (Rune Grammofon, 2011), and In the Mouth ...
New Life
by John Kelman
On the back of drummer Antonio Sanchez's New Life, there's a quote from guitarist Pat Metheny, who says, This record feels like a leap forward for Antonio." He should know; Sanchez has been the guitarist's drummer of choice for literally every project requiring one since he recruited him for Pat Metheny Group and Speaking of Now ...
Stefano Battaglia Trio: Songways
by John Kelman
Since his relationship with ECM began in 2003, Stefano Battaglia has been consistent in his use of different constellations for each recording, from 2006's double-disc Raccolto, where the Italian pianist worked with two different trios, and 2007's Re: Pasolini, another two-CD set where one employed a more broadly defined sextet and the other a string-centric quintet, ...
Arve Henriksen: Solidification
by Henning Bolte
Arve Henriksen is one of today's most innovative, creative and busiest musicians in improvised music and jazz. He has his very own signature--first as a highly characteristic trumpeter/singer, but on other instruments and vocals, too. Those who only know him from his Cartography (ECM, 2008) or through his numerous sideman appearances, do not really know him--at ...


