Home » Search Center » Results: John Kelman
Results for "John Kelman"
The Impossible Gentlemen: Internationally Recognisable Aliens
by John Kelman
When you come out of the gate as strongly as The Impossible Gentlemen (Basho, 2011), you create a pretty high set of expectations for the follow-up. Of course, when it's a quartet of musicians this accomplished--a transatlantic, trans-generational group consisting of a living legend (bassist Steve Swallow), a less-known but equally active American cohort (drummer Adam ...
Woody Shaw: The Complete Muse Sessions
by John Kelman
The past couple years have been banner ones for reviving the legacy of Woody Shaw, a trumpeter and composer who--emerging in the early '60s on albums by extant jazz stars like Eric Dolphy, Andrew Hill, McCoy Tyner and Horace Silver, and contributing to on-the-rise names including Larry Young and Chick Corea--has all-too-often been overlooked. Still, with ...
Kayhan Kalhor / Erdal Erzincan: Kula Kulluk Yakisir Mi
by John Kelman
When Kayhan Kalhor and Erdal Erzincan released The Wind (ECM, 2004), it was often shockingly beautiful evidence that jazz doesn't own the concept of improvisation--already a millennial concept when jazz first emerged in recognizable form at the turn of the 20th century. There are academics who now assert that “America's classical music" actually dates farther back, ...
Jan Bang: Narrative from the Subtropics
by John Kelman
There are times when it seems everything that has come before suddenly coalesces, reaches critical mass and engenders near-exponentially increased success and opportunity. For Jan Bang and Erik Honoré, their Punkt live remix festival has evolved, since its early inception in Kristiansand, Norway, into a musical aesthetic brought to other festivals like Mannheim's Enjoy Jazz and ...
Kenny Wheeler: Six for Six
by John Kelman
When artists move into their eighties, every new album is a gift. It's difficult enough for any octogenarian musician to maintain his/her game, but especially horn players, for whom embouchure and breath are so essential to tone and reach. Six for Six is, however, a curious gift from expat Canadian trumpeter Kenny Wheeler, who's made Britain ...
Arve Henriksen: Places of Worship
by John Kelman
In a career that, from an international perspective, began with Norwegian noise improv group Supersilent's debut, 1-3 (Rune Grammofon, 1997), trumpeter Arve Henriksen's ascendant trajectory has gone from strength to strength, milestone to milestone. It's been a long wait for Places of Worship, the follow-up to his leader debut for ECM Records, Cartography (2008), but it's ...
Tedeschi Trucks Band: Made Up Mind
by John Kelman
In so many ways, Tedeschi Trucks Band has bucked the odds: a band, on paper, doomed to fail and yet, here it is with its second studio recording, after the 2011 debut, Revelator and 2012 live album, Everybody's Talkin' (both, Sony Masterworks). In these days of escalating touring costs, the idea of an eleven-piece rock/soul/blues band ...
Terje Rypdal: Melodic Warrior
by John Kelman
Some albums are worth the wait, even if that wait is a full decade. The lion's share of guitarist Terje Rypdal's Melodic Warrior is devoted to the nine-movement title suite, a 2003 recording with the Bruckner Orchester Linz and, most importantly, the Hilliard Ensemble, the vocal ensemble that leapt to greater fame with Officium (ECM, 1993), ...
Chick Corea: The Vigil
by John Kelman
While he's never come close to falling out of the spotlight, there's little denying Chick Corea's two Return to Forever reunion tours and resultant live recordings of the past half decade have been two of the keyboard star's most eagerly anticipated events, considerably raising both his visibility and viability. That The Vigil--the name of both his ...
The New Gary Burton Quartet: Guided Tour
by John Kelman
For some, retirement means winding down and enjoying what life has to offer, after a lifetime spent with the daily grind of making a living. With most musicians, however, while making a living has been a not insignificant challenge, making music can hardly be called a daily grind; it's work, to be sure, but it's also ...
