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9

Article: Album Review

Susanna and Ensemble neoN: The Forester

Read "The Forester" reviewed by John Kelman


It's strange how a single event can change--or, at least, appear to change--an artist's direction, transporting it to a place previously seeming unreachable or, at the very least, unexpected. Prior to the surprise of 2012's sublime If Grief Could Wait (ECM), Norwegian singer Susanna Karolina Wallumrød was largely splitting her time. On one hand, there were ...

10

Article: Film Review

Steven Wilson: Drive Home

Read "Steven Wilson: Drive Home" reviewed by John Kelman


Steven Wilson Drive Home Kscope 2013 It's been a busy couple of years for Steven Wilson. The British singer, multi- instrumentalist and songwriter has continued his work as the go-to guy for surround sound and stereo remixes on recent outings including XTC's Nonesuch (1992; reissued Panegyric, 2013), Yes' Close to the ...

20

Article: Extended Analysis

Steve Hackett: Genesis Revisited - Live at Hammersmith

Read "Steve Hackett: Genesis Revisited - Live at Hammersmith" reviewed by John Kelman


With such a broad repertoire of classic progressive rock, it's a very good thing, indeed, that guitarist Steve Hackett--despite leaving the group on the cusp of far greater commercial success (but, alas, also compromising its progressive nature)--has kept the music of Peter Gabriel-era (and slightly beyond) Genesis alive since leaving the group in October, 1977. But ...

13

Article: Live Review

2013 Jazztopad Festival

Read "2013 Jazztopad Festival" reviewed by John Kelman


Jazztopad FestivalWrocĺaw, Poland November 18-24, 2013 It's always a treat to be invited somewhere new, especially somewhere with a strong jazz scene that remains, for the most part, hidden from the rest of the world. But when the country is Poland and the city Wrocĺaw, there are even greater treats awaiting, as ...

6

Article: Live Review

Scene Norway 2 at King's Place

Read "Scene Norway 2 at King's Place" reviewed by John Kelman


Scene Norway 2 Artist-in-Residence: Nils Petter Molvær King's Place, London, UK November 15-17, 2013 Walking into King's Place, in London, England, is an experience in itself. A building opened in 2008 near King's Cross station in downtown London, it was built with the kind of foresight that is rare these ...

18

Article: Year in Review

John Kelman's Best Releases of 2013

Read "John Kelman's Best Releases of 2013" reviewed by John Kelman


2013 was a challenging year: more travel than usual, and some family health issues at home slowing things down when it came to reviewing the seemingly endless flow of music coming in each and every day. With hopes that 2014 will be better on that front, here are just a few of the top recorded events ...

13

Article: Year in Review

John Kelman's Best Live Shows of 2013

Read "John Kelman's Best Live Shows of 2013" reviewed by John Kelman


Another tremendous year of travel, to find music in whatever nook and cranny it's hiding. From Montréal to Molde, from London to Luleå and from Oslo to Ottawa, it seemed as though there was an endless supply of great music to see--and even more that sadly had to be skipped. Having attended twelve separate events in ...

10

Article: Live Review

2013 Enjoy Jazz Festival

Read "2013 Enjoy Jazz Festival" reviewed by John Kelman


Enjoy Jazz 2013 Heidelberg/Mannheim/Ludwigshafen, Germany November 6-14, 2013 It's always a treat to return to Heidelberg for Enjoy Jazz. As a very intended contrast to most jazz festivals, that compress a lot of music into a very short time, Enjoy Jazz's founding premise, when it was first conceived 15 years ago by ...

15

Article: Album Review

Keith Jarrett: Concerts - Bregenz / Munchen

Read "Concerts - Bregenz / Munchen" reviewed by John Kelman


In the realm of solo improvised piano performance, few approach Keith Jarrett's recorded legacy--both for quality and quantity. With Rio (2011), Jarrett brought the number of solo CD releases on his longtime label, ECM, to fifteen. The absence, in full, of Concerts (1982) on CD--originally three LPs of solo performances from Bregenz and München--has remained a ...

12

Article: Extended Analysis

No End

Read "No End" reviewed by John Kelman


When Keith Jarrett released Spirits in 1986 on his longstanding/exclusive label, Germany's ECM Records, this two-disc home recording- -featuring the pianist on a multitude of instruments in addition to his main axe, including a bevy or recorders and flutes, guitar, saz and percussion--came out of the blue to his legion of fans while, at the same ...


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