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Keith Jarrett: Testament - Paris / London
by John Kelman
What makes a performance release-worthy? There are those who would like to see any and all recordings made by an artist released in some fashion, and with the advent of digital downloads there are artists doing just that. Still, as the old adage says, “just because you can doesn't mean you should." Greater discretion ...
Theo Travis: Slow Life
by John Kelman
Between solo albums like Earth to Ether (33 Jazz, 2004) and Double Talk (33 Jazz, 2007), and working with progressive/fusion bands including Porcupine Tree, Gong, The Tangent, and Soft Machine Legacy, Theo Travis has become one of England's hardest working woodwind multi-instrumentalists. A fine player with a broad vernacular--blending the jazz tradition with a deeper understanding ...
Live 1973-2007
by John Kelman
With all of British mega-group Genesis' studio discography now available in remixed/remastered form, including 5.1 surround mixes and a bevy of bonus audio and video features, the only commercial material left to receive engineer Nick Davis' careful attention is its series of four live albums. These begin with Genesis Live (Charisma, 1973) and end with The ...
Next Order: Live-Refined
by John Kelman
Despite locating its releases in places requiring a journey off the beaten path, the music of Next Order has always been well worth the trip. Since emerging with the appropriately titled Live-2003 (Order Tone, 2003), this Japanese fusion outfit has been working an intriguing nexus point where high energy, metal-edged improvisation, hints of British Canterbury, touches ...
Oz Noy: Schizophrenic
by John Kelman
While other fusion guitarists have received wider international acclaim, Israeli-born, US-resident guitarist Oz Noy has been working in the trenches, slowly amassing a discography as impressive for its writing as it is his tastefully virtuosic playing. Schizophrenic, the guitarist's fourth release since his 2005 Magnatude Records debut, Ha!, demonstrates considerable growth in both departments. Straddling the ...
Fred Simon: Since Forever
by John Kelman
A pianist of rare compositional lyricism, it's remarkable how one event in Fred Simon's life has led, almost inescapably, to the present. Touring with woodwind multi-instrumentalist Paul McCandless in support of the Oregon co-founder's Premonition (Windham Hill, 1992), the keyboardist found himself onstage with Pat Metheny Group bassist Steve Rodby and soon-to-be-Oregon drummer, Mark Walker. That ...
Jan Garbarek Group: Dresden
by John Kelman
Though less active on the recording front in recent years--In Praise of Dreams (ECM, 2004) was his first since Mnemosyne (ECM, 1999), following up his immensely popular pairing with the Hilliard Ensemble, Officium (ECM, 1994)-- Jan Garbarek has toured virtually every year, playing dates in Europe and further abroad. His 2008 Mai Jazz performance, in Stavanger, ...
Robben Ford: Soul on Ten
by John Kelman
While he's largely lived in the blues world for much of his career, guitarist Robben Ford has always been defined by a jazz sensibility. Sure, there's the grease and grit of overdriven, wah-wah'd electric guitar and a strong, rock-hard backbeat; but Ford's language since Robben Ford and the Blue Line (Stretch, 1992) has been a compelling ...
Jazzworks 2009: Jazz Boot Camp for Adults
by John Kelman
Every year for the past 16 years--first at Christie Lake Camp, located about 60 miles from Ottawa, Canada, but for the past four at the peaceful CAMMAC (Canadian Amateur Musicians Musiciens Amateurs du Canada) Lake MacDonald Music Centre, situated within spitting distance of the world-renowned Mont Tremblant Ski Resort in the Quebec Laurentians--Jazzworks Ottawa puts on ...
Punkt Festival 2009: Day 4, Kristiansand, Norway, September 5, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 For its fifth year, Punkt Festival's evening programming was, more than any other, organized around clearer thematic lines, although that still meant a considerably broader purview than most other festivals--and, of course, there was the occasional exception. The first day spotlighted up-and-coming talent; ...
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