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John Hollenbeck: Rainbow Jimmies
by Troy Collins
Percussionist and composer John Hollenbeck has led a diverse and multifaceted career since his early studies with legendary trombonist/composer Bob Brookmeyer. As a sideman, Hollenbeck has served alongside Brookmeyer, Satoko Fujii, Fred Hersch, Jim McNeely, Patrick Zimmerli, and others in addition to leading his own group, the unclassifiable Claudia Quintet. On a larger scale, he has ...
John Hollenbeck: Rainbow Jimmies
by Mark Corroto
When encountering drummer John Hollenbeck in a traditional jazz setting, there's usually the distinct feeling that he is something other than a jazz drummer. Where some drummers muscle their way through a set, he prefers to finesse the music, accenting the songs in always new and creative ways. Maybe it is his past experience in other ...
Mike Barone / National Youth Jazz Orchestra / Vaughn Wiester / Dutch Jazz Orchestra
by Jack Bowers
Mike Barone Big Band Class of '68 Rhubarb Recordings 2009 While some may deem composer / arranger / trombonist Mike Barone's latest album gratuitous, those who were introduced to Barone's music via the band's superb recording Live at Donte's, 1968 should take enormous pleasure in hearing further inspired ...
Refuge Trio: Refuge Trio
by Glenn Astarita
The musical sound and scope of Refuge Trio resembles a sanctuary of genre-morphing frameworks, neatly compacted into a conspicuous group-focused mindset. Appropriately, the trio's name was inspired by Joni Mitchell's song “Refuge of The Roads," from the legendary singer/songwriter's Hejira (Elektra/Asylum, 1976), to coincide with a performance at the 2002 Wall-to-Wall Joni Mitchell concert at Symphony ...
Satoko Fujii Ma-do Quartet at the Vortex in London, England
by John Sharpe
---> Satoko Fujii Ma-do Quartet Vortex Jazz Bar London, England February 6, 2009 Japanese pianist and composer Satoko Fujii may have small hands but more than compensates with a big conception, realizing its expression through a bewildering range of vehicles. A full house at London's Vortex Jazz Bar hosted ...
Composer Portrait: Julius Hemphill Bobby Zankel's Warriors of the Wonderful Sound Featuring Marty Ehrlich
Ars Nova Workshop presents: Tonight! Thursday, February 26, 7:30pm (doors at 6pm) Composer Portrait: Julius Hemphill Bobby Zankel's Warriors of the Wonderful Sound Featuring Marty Ehrlich Marty Ehrlich, alto saxophone; Bobby Zankel, alto saxophone; Elliott Levin, tenor saxophone; Dan Peterson, reeds; Dan Scofield, alto saxophone; Bryan Rogers, tenor saxophone; Bart Miltenberger, trumpet; Adam Hershberger, ...
John Hollenbeck's Large Ensemble at the Painted Bride Art Center on February 28 and March 6
Critics sometimes describe John Hollenbeck's music as “beyond jazz” for its breadth of sounds and influences, ranging from chamber music to field recordings of regionally-diverse folk traditions. The nineteen members of his Large Ensemble, including such respected names as Chris Speed, Garry Versace, Tony Malaby, and Matt Moran, nearly all come from jazz backgrounds, but as ...
Painted Bride Art Center and John Hollenbeck Collaborate on Big Ears Residency Program
Painted Bride Art Center proudly presents Big Ears, an ambitious residency program that brings together New York-based drummer/composer John Hollenbeck with a dozen Philadelphia jazz musicians. A call to artists, followed by a rigorous selection process, has yielded a group of local artists that transects age, gender, ethnicity, and musical heritage. The program concludes on March ...
Got Big Ears? John Hollenbeck's Large Ensemble at Painted Bride on February 28 and March 6
With a huge sound and mesmerizing subtlety, John Hollenbeck's Large Ensemble combines the sonic range of a big band and the intimacy of a small group of closely-knit musicians. Hollenbeck is striking for his compositional process, one that is deeply immersed in personal experience and that uses the accumulation of simple elements to create a complex, ...
John Hollenbeck: A Blessing
by AAJ Italy Staff
L'aspetto di A Blessing che più colpisce al primo ascolto è il lungo snodarsi delle linee melodiche, lontano dalla stringatezza percussiva tipica del jazz per big band. I suoi temi avvolgono ipnotici, quasi minimalisti, costruiti su cellule che sviluppano lente e inesorabili, affidate a insiemi strumentali tipici della scrittura di Gil Evans e altri arrangiatori bianchi ...
