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Article: Album Review

Jeff Williams: The Listener

Read "The Listener" reviewed by C. Michael Bailey


It may be a poor-man's explanation, but here it goes: bebop begat hard bop begat the freer post-bop. Free jazz emerged among them. What next? Jeff Williams' The Listener. The greater freedom of post bop compared to its predecessor is given more freedom, but not so much that the music descends into the ravenous particles of ...

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Article: Album Review

Jeff Williams: The Listener

Read "The Listener" reviewed by Dan Bilawsky


Drummer Jeff Williams spent the first part of his career building a name for himself as a supporting player, laying down the rhythmic law for Lookout Farm and serving as sideman to the jazz stars, but these days he's making waves as a leader. He turned plenty of heads with Another Time (Whirlwind Recordings Ltd., 2011), ...

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Article: Bailey's Bundles

John O'Gallagher and Jeff Williams: In a Whirlwind

Read "John O'Gallagher and Jeff Williams: In a Whirlwind" reviewed by C. Michael Bailey


Here's to avant-garde jazz. Unruly and ill-behaved, the seeds planted by saxophonists Ornette Coleman and John Coltrane, and carried forward by reed multi-instrumentalist Anthony Braxton and melded with trumpeter Miles Davis' post bop, gave rise to a brand of jazz that, while not the complete chaos of free jazz, nevertheless possessed such an inventive spirit that ...

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Article: Album Review

Lucian Ban / Mat Maneri: Transylvanian Concert

Read "Transylvanian Concert" reviewed by John Kelman


It's been six years since Mat Maneri last appeared on ECM, collaborating with singer Robin Williamson on the British traditionalist's exploratory The Iron Stone (2007); even longer since the violist shared a marquee for the German label, on 2004's Angles of Repose, with his now-deceased father, microtonal reed player Joe Maneri, and bassist Barre Phillips; even ...

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Article: We Travel the Spaceways

Jazz: A Blessed Obsession

Read "Jazz: A Blessed Obsession" reviewed by Mark Corroto


Jazz listeners travel some strange and beautiful paths. It might have all begun with collectors trying to find a legendary Edison cylinder that New Orleans trumpeter Buddy Bolden--some believe to be the very first jazz musician--may (or may not) have recorded in 1904. Fast forward to modern times, a quick scan of eBay and the exorbitant ...

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Article: Album Review

Ingrid Laubrock Anti-House: Strong Place

Read "Strong Place" reviewed by John Sharpe


With Strong Place, New York-based German saxophonist Ingrid Laubrock moves one step further in cementing her place at the heart of the Big Apple's fertile Brooklyn scene. Already on a roll with her plangent contributions to a series of stunning music including Sleepthief's Madness of Crowds (Intakt, 2011), drummer Tom Rainey's Camino Cielo Echo (Intakt, 2012), ...

News: Recording

Benoit Delbecq & Fred Hersch Double Trio's "Fun House" and Chris Clark's Debut "Cedar Wisely" Coming from Songlines

Benoit Delbecq & Fred Hersch Double Trio's "Fun House" and Chris Clark's Debut "Cedar Wisely" Coming from Songlines

Songlines will release a pair of extremely diverse yet equally exciting albums on March 12. Fun House, the first recorded collaboration between the critically acclaimed pianists Benoit Delbecq and Fred Hersch, finds them performing in a rare double-trio configuration. It's a ground-breaking encounter and between jazz piano and the sonic resources of contemporary classical music, between ...

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Article: Album Review

Rez Abbasi Trio: Continuous Beat

Read "Continuous Beat" reviewed by John Kelman


In the 17 years since Rez Abbasi released Third Ear (Cathexis, 1995), the Pakistan-born, American-raised guitarist hasn't just covered a lot of ground, he's gone from an undoubtedly talented but somewhat vanilla player to one with a distinct voice and approach. Starting with Snake Charmer (Earth Sounds, 2005) and Bazaar (Zoho, 2006), Abbasi began to find ...

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Article: Album Review

Rez Abbasi Trio: Continuous Beat

Read "Continuous Beat" reviewed by Glenn Astarita


Guitarist Rez Abbasi is one of the more prolific modern-era guitarists, calling New York City home but often adhering to his Pakistani roots through the looking-glass of jazz. Other than his impressive chops, he often amalgamates--to varying degrees--an Indo-jazz vibe into his solo outings and session gigs. However, on this plugged-in trio date, Abbasi instills a ...

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Article: Big Band Report

Dave Brubeck: Small Groups, Large Stature

Read "Dave Brubeck: Small Groups, Large Stature" reviewed by Jack Bowers


Dave Brubeck wasn't really a big-band kinda guy; in fact, he was seldom seen in groups larger than four or five. On the other hand, he was an extraordinary musician, one whose influence will no doubt be felt for generations to come. Brubeck, who remained active almost to the end of his life, died December 5 ...


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