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Twenty One 4tet: Live At Zaal 100
by John Sharpe
The moniker Twenty One 4tet represents a summit of cosmopolitan international improvisers gathering in Amsterdam . On the face of it there's not a lot of connection between peripatetic American saxophonist John Dikeman's Ayler-inspired tirades and Portuguese trumpeter Luis Vicente's thoughtful chamber explorations, but the outcome suggests much more of a meeting of minds than might ...
Albert We Hardly Knew Ye
by Mark Corroto
The Chinese mystic philosopher Lao Tzu wrote, “the flame that burns twice as bright, burns half as long." Although he never heard the music of Albert Ayler, we're sure that he would agree the saxophonist's fire music was luminescent. Ayler's career was indeed quite brief, recording only for a period of eight years until his untimely ...
Linus + Skarbø / Leroux: Linus + Skarbø / Leroux
by Dave Wayne
In the seven years since its inception, El Negocito Records, based in Ghent, Belgium, has established itself as one of the most adventurous and far-ranging independent labels on the European new music scene. The phrase “new music" is operative here because the label concentrates on improvisation in all of its musical guises. There are modern jazz ...
Dikeman, Parker, Drake: Live at La Resistenza
by Vincenzo Roggero
Quattro brani di dieci minuti l'uno registrati dal vivo a Ghent in Belgio, i primi due estratti dal primo set, il terzo e il quarto dal set conclusivo. Protagonisti due mostri sacri dell'improvvisazione come Hamid Drake e William Parker più il giovane John Dikeman, statunitense di nascita, giramondo per vocazione--alcuni anni passati al Cairo in Egitto ...
John Sharpe's Best Releases of 2015
by John Sharpe
Here in no special order are ten new releases, reviewed in All About Jazz, which stood out among those I heard this year. Mats Gustafsson Hidros 6 Knockin' (Not Two Records) An avant-garde jazz composition based on the songs of '50s rocker Little Richard. Really? Yep, that's the premise ...
John Dikeman/William Parker/Hamid Drake: Live at La Resistenza
by Mark Corroto
The subtitle to Charles Mingus' composition “Gunslinging Bird" is “If Charlie Parker was a gunslinger, there'd be a whole lot of dead copycats," refers to the great alto saxophonist's ability to dominate a bandstand and quiet any and all comers. Parker, who died in 1955, might not have known about automatic weapons, nor the free jazz ...
Universal Indians with Joe McPhee: Skullduggery
by Enrico Bettinello
Un po' di collegamenti e incroci. Il trio Universal Indians trae il proprio nome dal pezzo di Albert Ayler che chiudeva il disco Love Cry. Ispirarsi a Ayler -o comunque a quel momento storico e espressivo in cui il sassofonista si trovò a agire, insieme a John Coltrane, Ornette Coleman e soci... ...
Universal Indians with Joe McPhee: Skullduggery
by John Sharpe
Throughout his career multi-instrumentalist Joe McPhee has always appeared remarkably open to collaborations with musicians from different scenes. Sometimes these blossom into more established groupings such as his regular hook ups with the Scandinavian power trio The Thing and more recently with the English improv outfit Decoy (witness Oto (Bo'Weavil, 2010) and Spontaneous Combustion (OtoRoku, 2014)). ...
Blue Lines Trio: Blue Lines Trio
by Vic Albani
Registrato dal vivo il 5 marzo 2014 al celeberrimo Bimhuis di Amsterdam, vale a dire in uno dei templi dell'avantgarde jazz europeo, l'omonimo CD del Blue Lines Trio contiene una selezione di cinquanta minuti e rotti della ricchezza compositiva e di repertorio di tre importanti esploratori del suono moderno che si chiamano George Hadow, Michiel Scheen ...
Across the Sky
By John Dikeman
Label: Not Two Records
Released: 2013
Track listing:
01. A Screaming Comes; 02. Across The Sky; 03. It Has Happened Before...
