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Mark Ortwein: It Was Time
by Jack Bowers
A byproduct of waiting as long as Mark Ortwein has to record one's first album as leader can be reaching too far and trying too hard to achieve perfection. That seems to be the case with It Was Time, wherein Ortwein's versatility is never in doubt--he plays nine instruments on the album--but his musical choices are ...
Carlton-Macpherson-Pass-Valenti Quartet Interview Series: Alana Macpherson
by Jane Kozhevnikova
This interview is the first in a series to feature the Carlton-Macpherson-Pass-Valenti quartet from Australia: Jessica Carlton (trumpet), Alana Macpherson (saxophone), Kate Pass (double bass) and Talya Valenti (drums). They formed a quartet in 2021 with Carlton's move to Perth from Melbourne and Macpherson's temporary return from Austria. The quartet's debut album, Undeniable (Self Produced, 2022), ...
Steve Slagle: Into The Heart Of It
by Dan Bilawsky
In a storied career that's produced more than 20 leader dates, there's little that Steve Slagle hasn't explored and accomplished. Yet here we are with a true first from the veteran alto saxophonist: A stunning bouquet of ballads. Inspired by lodestar outings from legends like John Coltrane, and driven by a desire to find a personalized ...
Pharoah Sanders Quartet: Live At Fabrik
by Chris May
One reason Pharoah Sanders was such a special artist was the prismatic nature of his music. When Sanders lit on to a new avenue of investigation, he did not in the process reject what he had been doing up until that moment. Instead, he wove the new perspective into the existing structure, enriching rather than replacing ...
Wayne Shorter remembered as Jazz's Shaman Of Musical Influence
by Doug Hall
The voice, tone, phrasing--in effect, the signature sound of the saxophone has distinguished a number of artists. The late Wayne Shorter, having just passed away at 89, has been a profound force of interpretation on the tenor, and on the soprano--there is no greater master. He remained at the forefront of influence with his instrument and ...
Introducing Jazz History And Literature, Reconceived
by Phillip A. Haynes
When I was invited to offer jazz coursework in 2007, as Bucknell University's first Kushell Jazz Artist-in-Residence, my Chair asked what single subject I thought was most important to teach. I responded, “an integrated jazz history & literature sequence, including a semester of classic jazz and one of modern jazz." To which he replied, “Fine, just ...
Randy Weston, Roy Haynes, Wayne Shorter
by David Brown
This week, our featured artist is pianist, composer and seeker of his ancestral African connection, Randy Weston; a set featuring one of the most recorded drummers in jazz history, Roy Haynes, from Coltrane to Etta Jones will follow. The show continues with a set of tracks recorded live at San Francisco's fabled night club the Blackhawk ...
A Fireside Chat With Wayne Shorter
by AAJ Staff
This article was first published at All About Jazz in October 2002. I have done my fair share of Firesides (500 or so last census). I have favorites. Certainly, the first Sonny Rollins was memorable. Cecil Taylor, Charles Lloyd, Joe Chambers, and Lester Bowie were provocative. Willie Nelson was high (allegedly) and Tony Bennett ...
Jazz For The Serious Connoisseur
by Phillip A. Haynes
In tackling this top ten list for serious students of jazz, the focus was on works that shocked and intrigued upon first and successive listens, striving to understand their meaning, materials, historical context, and influence on contemporary improvisation. “Blackbird" (1980) by Bobby McFerrin, The Voice (Elektra, 1984) When released, McFerrin's astounding virtuosity ...
Lakecia Benjamin: Phoenix
by Jerome Wilson
The previous album by saxophonist Lakecia Benjamin, Pursuance: The Coltranes, (Ropeadope, 2020) was a multifaceted tribute to the music of both John Coltrane and Alice Coltrane. Her new album takes on societal and human issues with similar diversity but in a more compact and organized manner. It moves from a socially aware mix of soul, R'n'B, ...
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