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255

Article: Album Review

McCoy Tyner: Fly With The Wind

Read "Fly With The Wind" reviewed by Graham L. Flanagan

by Graham L. Flanagan

McCoy Tyner may be best-known for his legendary tenure with John Coltrane's quartet in the early '60s, as well as his recordings as a leader for Blue Note, but budding fans should investigate his formidable output from the subsequent decade. In 1972, Tyner defected to Orrin Keepnews' Milestone label, where he remained through ...

862

Article: Extended Analysis

The Arab Roots of Miles Davis' Sketches of Spain

Read "The Arab Roots of Miles Davis' Sketches of Spain" reviewed by John Murnane

by John Murnane

Miles Davis Sketches Of Spain Columbia 1960 His biographer Ian Carr called trumpeter Miles Davis' Kind Of Blue (Columbia, 1959) “one of the seminal albums, and one of the most enduring classics, of jazz." It was, indeed, a pioneering leap into modal jazz, and most Davis fans would ...

243

Article: Album Review

Ronnie Boykins: The Will Come, Is Now

Read "The Will Come, Is Now" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

For Ronnie Boykins, Sun Ra's bassist, The Will Come, Is Now brings to a close a remarkable sojourn that stretched from his galactic showcasing with the Arkestra at the Judson Hall performances of 1964 to an intellectual deconstruction of bebop. During the years that followed, Boykins appeared with Sam Rivers and was also heard at Ornette ...

248

Article: Album Review

Jason Rigby: The Sage

Read "The Sage" reviewed by Eyal Hareuveni

by Eyal Hareuveni

The sophomore release of New York-based saxophonist/composer Jason Rigby features him as a unique new voice that deserves wider attention. His deep, full-bodied tenor sound and his inside-outside jazz vocabulary reference sax greats such as John Coltrane and Wayne Shorter, while his elastic sense of time sounds closer to the fluid playfulness of Ornette Coleman. His ...

271

Article: Album Review

Deanna Witkowski: From This Place

Read "From This Place" reviewed by Jerry D'Souza

by Jerry D'Souza

Deanna Witkowski takes the spiritual road on From This Place through gospel, Catholic liturgy, blues and jazz, and 19th century text to which she has written music. Sacred music and jazz have come together through Mary Lou Williams and Duke Ellington, to name two, while John Coltrane brought in his own ardent beliefs to ...

134

News: Event

Music Memorabilia Show in NYC - June 6th, July 11th, and August 8th

Music Memorabilia Show in NYC - June 6th, July 11th, and August 8th

Music Memorabilia Show: LPs, 45rpm, 78rpm, sheet music, photos, posters, books, magazines, etc. Saturday – June 6th, July 11th and August 8th Time: 10am to 2pm Location: Tip Top Shoe Building, 155 West 72nd Street, 4th Floor, New York, NY (near Broadway). Subway – Nos. 1, 2 or 3 to 72nd Street. Bus – ...

633

Article: Book Review

The Hearing Eye: Jazz & Blues Influences in African American Visual Art / Thriving on a Riff: Jazz & Blues Influences in African American Literature and Film

Read "The Hearing Eye: Jazz & Blues Influences in African American Visual Art / Thriving on a Riff: Jazz & Blues Influences in African American Literature and Film" reviewed by Tom Greenland

by Tom Greenland

Representative of what has been coined the “new" jazz studies, these two books are compilations of critical essays edited by Graham Lock and David Murray, which investigate and unpack the role and influence of jazz and blues in African American culture. The Hearing Eye: Jazz & Blues Influences in African American Visual Art

467

Article: Album Review

Steve Haines Quintet with Jimmy Cobb: Stickadiboom

Read "Stickadiboom" reviewed by Larry Reni Thomas

by Larry Reni Thomas

Bassist Steve Haines Quintet 's impressive Stickadiboom is a thought-provoking, energetic, excellently composed and arranged, modern jazz album. Haines, a Canadian transplant who directs the Miles Davis Program in Jazz Studies at Greensboro's University of North Carolina, lived in New York City during a research assignment, playing, hanging out and immersing himself in the jazz scene, ...

574

Article: Extended Analysis

Solidarity Unit, Inc.: Red Black & Green

Read "Solidarity Unit, Inc.: Red Black & Green" reviewed by Clifford Allen

by Clifford Allen

Solidarity Unit, Inc. Red Black & Green Eremite 2009 Though it certainly had an impact on the landscape of creative music in the 1970s and 1980s as well as it does today, the vanguard improvisation scene in St. Louis isn't as discussed as it should be. The Black Artists Group ...

831

Article: Interview

Tom Warner: Honoring the Legacy

Read "Tom Warner: Honoring the Legacy" reviewed by Victor L. Schermer

by Victor L. Schermer

Tom Warner recently replaced Mervon Mehta as vice-president of programming for the Kimmel Center for the Performing Arts in Philadelphia, when the latter took the head position at the Royal Conservatory of Music in Toronto. Among his eclectic musical tastes, the accessible, warm and articulate Warner has a strong interest in jazz.


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