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Manu Codjia: Manu Codjia
by Jeff Dayton-Johnson
Manu Codjia is among the most active sidemen on the French jazz scene and one of the most original guitarists playing jazz anywhere. His playing--clearly indebted to Bill Frisell, but also to Allan Holdsworth, Tommy Bolin on Billy Cobham's Spectrum (Atlantic, 1973), and a host of other influences--constantly generates new ideas on several levels at once: ...
The Allman Brothers Band: 40 Years Out
by Alan Bryson
So what do Randy Brecker, Stanley Clarke and Lenny White have in common with Kid Rock, Eric Clapton and Billy Gibbons of ZZ Top? All were part of the Allman Brothers Band's three-week musical extravaganza at New York City's Beacon Theater celebrating the band's 40th anniversary. This year's list of surprise guests also included ...
Nathan Davis: The Best of Nathan Davis '65-'76
by Clifford Allen
Nathan Davis The Best of Nathan Davis '65-'76 Jazzman 2009 The concept of a “Best Of" album seems like it should be set aside for those musicians who have entered the popular consciousness to the degree that a sampler disc would be an easy sell. In jazz, canonical ...
Jaska Lukkarinen Trio: Trane Ear
by Anthony Shaw
This is an album with origins deep in the heart of the Finnish nu-jazz fraternity, featuring three alumni of the Folk and Jazz Department of the national Sibelius Academy. However Jaska Lukkarinen has learned more than just percussion and drums, having spent a season at the Manhattan School of Drumming, where the concept of a drum-led ...
Rob Thorsen: Lasting Impression
by Jerry D'Souza
Bassist Rob Thorsen became interested in jazz when he heard Dave Brubeck, Cannonball Adderley and Rahsaan Roland Kirk. The acoustic bass, which he discovered when he was in his twenties, became his instrument of choice as he began his career as a performer on a cruise ship. On Lasting Impression, his fourth CD as leader, Thorsen ...
J. D. Allen Trio: Shine
by Mark Corroto
It's impossible to be an impostor at the gambit in which J.D. Allen's trio is participating. His jukebox length compositions either hit or have the possibility to miss badly. Luckily, he has released a second trio album of all bull's-eyes. Shine! follows the pattern established on I AM I AM (Sunnyside, 2008). ...
IDST: Seven Dials
by Chris May
As the youthful sextet IDST demonstrates, exciting developments in British jazz are not confined to London, nor do all British jazz musicians succumb to the lure of the capital (or not immediately anyway). IDST was formed in 2007 in the Yorkshire city of Leeds in northern England, where it continues to be based, and its players ...
Rashied Ali: Meditations, Live in Europe and Art-Work
by Kurt Gottschalk
John Coltrane Meditations Impulse! 2009 Rashied Ali Live in Europe Survival Records 2009 Hal Galper Art-Work Origin Records 2009 The eight years ...
Lucky Thompson: New York City (1964-65)
by George Kanzler
Eli “Lucky" Thompson should be remembered as one of the premier tenor saxophonists of the bebop/hard bop era, right along with Sonny Rollins and John Coltrane. Before Rollins, he had recorded with piano-less trios; before Coltrane he had taken up, and mastered, the soprano sax. And he appeared on one of Miles Davis' most influential record ...
Denman Maroney Quintet: Udentity
by Glenn Astarita
In this fascinating 2009 release, leader Denman Maroney morphs the avant-garde implications of hyperpiano fare into a semi-structured progressive jazz endeavor with tunes that are largely melodic and uncannily attainable. The artist derives influence from avant-garde composers John Cage and Henry Cowell, who used nuts, bolts and other implements to perform on the piano via unconventional ...
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