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Craig Handy: The Busiest Man In Jazz
by Robert Dugan
Saxophonist Craig Handy is a musician's musician. Those “in the know" know about him, which is why he's been a first call player in New York for over two decades. He is a careful, thoughtful improviser—expansive and precise. His solos build on a rich knowledge of the tradition at the same time as they often set ...
Lionel Loueke: Mwaliko
by Ryan Lippell
Lionel Loueke: Mwaliko Blue Note 2010 An album of duo and trio recordings, Mwaliko is the kind of world-infused smorgasbord that only guitarist Lionel Loueke could cook up--it contains hard swing, makossa, balladry, Beninese folk and a jazz standard. Hailing from Benin in West Africa, Loueke boasts a curriculum vitae ...
Raphael Imbert Trio: N_Y Project
by Bruce Lindsay
Bookending eleven of your own tunes with Duke Ellington's “Echoes of Harlem" and John Coltrane's “Central Park West" is a bold decision for any jazz musician to make--it's a confident statement and a risky one. On N_Y Project the decision pays off--saxophonist Raphael Imbert's compositions have their own strengths and innovations, ensuring that they stand such ...
Remembrance: Paying Tribute Through The Art Of Jazz Composition
by Dan Bilawsky
Paying tribute to the dearly departed is simply a part of life. We honor them with words and we pay our respects through our actions as we help to keep their memory alive. In music, we pay tribute to the dead through the medium that we know best...sound. Whether we use “requiem," “threnody," “ode," “elegy," or ...
Ralph Lalama Quartet: The Audience
by C. Michael Bailey
Dexter Gordon achieved a post-bebop tenor saxophone sound that was Somewhere between the sleepy, vibrato-less tone of Lester Young and the falling-off- the-edge wail of John Coltrane. Yonkers native Ralph Lalama comes It is out of this tradition. On his fifth recording as a leader and his first release since 2008's successful Energy Fields (Mighty Quinn), ...
Jazz Bassist Dave Holland Continues to Find New "Pathways"
By Tad Hendrickson If you look around the scene, you'll find that Dave Holland has few peers. He came into the jazz public's consciousness as a bassist for Miles Davis from the late '60s to the early '70s, making his debut as a leader in 1972. He's currently at the very top of the game, leading ...
Take Five With Philipp Zarfl
by AAJ Staff
Meet Philipp Zarfl: Born 1991 in Wolfsberg/Austria, Philipp started playing trombone at the age of 13 in the local music school. Currently (from 2007 on) he has studied with Andi Mittermayer at the Conservatory in Klagenfurt/Austria. Instrument(s): Trombone, Arrangement, Composition. Teachers and/or influences? My influences are ...
Byard Lancaster: Sounds of Liberation: New Horizons
by Clifford Allen
In the years following saxophonist John Coltrane's death and the related dearth of opportunities to perform and record the New Music stateside, a significant body of musicians relocated to Europe, to ply their art in a more receptive atmosphere. Reedman Byard Lancaster was one of the second wave of American free jazz musicians to relocate to ...
Take Five With Adam Glasser
by AAJ Staff
Meet Adam Glasser:Adam grew up in South Africa influenced by township jazz. He took a UK English Literature degree, started gigging as pianist in Paris 1980, with a semester at Berklee in 1981. He gigged around London '80s/'90s with own trio and commercial gigs, tours with Jimmy Witherspoon, Martha Reeves, and for Manhattan Brothers, ...
Christian Scott: Breaking Boundaries, Crossing Lines
by Frederick Bernas
Christian Scott is lounging on a black leather couch, easy and relaxed before taking to the stage at a Moscow jazz club. The cold, gloomy Russian capital hosted the New Orleans trumpeter's quintet for a trio of gigs in February 2009--including a show at the US ambassador's cushy residence, in front of an elite audience of ...
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