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Sam Newsome: The Art of the Soprano, Vol. 1
by Dan McClenaghan
Sam Newsome's The Art of the Soprano, Vol. 1 is a solo soprano saxophone outing, While not unprecedented--Steve Lacy and Evan Parker have done this before--it certainly is unusual. The straight horn all alone: no bass, no drums, no piano or guitar. Sounds lonely, and a little too sonically spare.But no one has gone ...
Bobby Zankel: Revisiting Coltrane’s “A Love Supreme”
by Victor L. Schermer
John Coltrane's iconic A Love Supreme (Impulse!, 1965) is a jazz perennial, continuing to attract and move listeners around the globe nearly five decades after it was released. Great musicians, such as guitarists John McLaughlin and Carlos Santana, and saxophonist Joshua Redman cite its profound influence on their career. The Branford Marsalis Quartet , with A ...
Bobby Zankel: Philadelphia, PA, September 22, 2012
by Victor L. Schermer
John Coltrane Birthday Celebration with Bobby Zankel's Warriors Of The Wonderful Sound40th Street Field, University of PennsylvaniaPhiladelphia, PASeptember 22, 2012It's unusual to have a jazz milestone take place in a free-for-the-people neighborhood concert on an open urban space, but that is exactly what occurred as saxophonist Bobby Zankel and his avant-garde ...
Charlie Hunter: Roots, Hard Work & Inspiration
by Doug Collette
A self-proclaimed boutique artist, guitarist Charlie Hunter could not be more proud of his work or the audience that enjoys it. He is ultimately modest about his achievements, such as they are, emphasizing the work he's put in over the years in a variety of formats, honing a craft he honestly and rightly believes represents his ...
Matteo Fraboni Quintet: This is My Music
by Alex Franquelli
There is a fragile red line separating the concept of revolution from history. While the latter is strictly connected with time, the former is an exception to it: it is a nihilist diversion aimed at rebuilding our perspectives and ultimately our history. This is My Music is an intriguing challenge to the known canons of jazz. ...
Don Byron: Music Wikipedia
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ]I got my Bachelor's in Music Ed and Trumpet from Peabody Conservatory. I got my Master's in Jazz from Queens College. But I did my real graduate work playing with clarinetist Don Byron. My first gigs with Byron were playing Stravinsky ...
Take Five With Sam Newsome
by AAJ Staff
Meet Sam Newsome: One of the more important soprano saxophonists of his generation, Sam Newsome emerged onto the scene as a member of Terence Blanchard's quintet in the early 1990s, Newsome really hit his artistic stride when he began releasing a series of solo saxophone recordings expanding the sonic terrain of the soprano sax: ...
"Stonephace" Stabbins: Transcendental
by Bruce Lindsay
On his thirteenth birthday Larry “Stonephace" Stabbins, already a promising saxophonist, bought John Coltrane's Africa/Brass (Impulse!, 1961). The impact was immediate and long-lasting, as Stabbins writes in the liner notes to Transcendental. By the early'70s he was an established player on the UK jazz scene. Forty years on, the sound of Africa/Brass still influences Stabbins and ...
Peter Brötzmann & Jason Adasiewicz: Delaware, Ohio, September 9, 2012
by Mark Corroto
Peter Brötzmann and Jason AdasiewiczJemison AuditoriumOhio Wesleyan UniversityDelaware, OhioSeptember 9, 2012Halfway through their 13-concert North American mini-tour, German saxophonist legend Peter Brötzmann and vibraphonist Jason Adasiewicz walked into a crowded Jemison Auditorium on the Ohio Wesleyan campus. Would the pair adjust and restyle their approach to 'free jazz' for ...
Take Five With Andrea Brachfeld
by AAJ Staff
Meet Andrea Brachfeld: Flutist, composer, arranger, producer, educator, business owner, Andrea Brachfeld, is a graduate of The High School of Music and Art and the Manhattan School of Music. Study with Hubert Laws, Jimmy Heath, George Coleman and Mike Longo helped her develop her own improvisational style.Her breakthrough performance as the flutist ...
