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Dave Stryker: Messin' with Mister T
by Jack Bowers
On Messin' with Mister T, guitarist Dave Stryker could have enlisted only his organ trio to salute friend, mentor and musical hero Stanley Turrentine; instead, he chose to step back and let other voices do most of the talking. The encomiums are thus provided by ten of the world's most accomplished tenor saxophonists, making this one ...
Chris Lightcap's Bigmouth: Epicenter
by Dan McClenaghan
The group is packed with some of the top stars of modern jazz, but it's with the collective and cohesive ensemble sound that bassist/composer Chris Lightcap's Bigmouth stands out. Hard-driving, electric, edgy, with a chip sitting firmly on its collective shoulders, Epicenter, Lightcap's ode to New York City, commissioned by Chamber Music America New Jazz Works, ...
A Sublime Question: What Does Jazz Want?
by Douglas Groothuis
Does does jazz want something from us? Strange as this may seem, the answer is yes! As is true in every other area of life, something is desired of those with whom the art form interacts. It wants our engagement. It wants to elicit a response. It may ask much of us. Consider a few examples ...
Sigurdur Flosason and Kjeld Lauritsen: Nightfall
by Chris Mosey
Icelandic saxophonist Sigurdur Flosason gets a pretty unique sound out of his instrument. His silky, rhapsodic style of playing harks back to Johnny Hodges but with more bite. There are only the very faintest echoes of Charlie Parker and hardly any of John Coltrane. Yet Flosason is both inventive and soulful. This is ...
Paul Chambers: Whims of Chambers – Blue Note 1534
by Marc Davis
At Blue Note Records in the 1950s, bassist Paul Chambers and drummer Philly Joe Jones were about as common as grits at a Southern diner. And about as noticeable, too--not flashy, just solid and reputable. Blue Note never had a “house band," but if it had, Chambers and Jones would have been the hard ...
Anat Cohen: Luminosa
by Dan Bilawsky
Anat Cohen's music is literally all over the map. Across her previous six albums, Cohen has explored the sounds of America, Brazil, France, Cuba, South Africa, and her homeland, Israel; she's addressed the work of John Coltrane, Antonio Carlos Jobim, Benny Goodman, Abdullah Ibrahim, Sam Cooke, Jacques Brel, Edith Piaf, Louis Armstrong, Ernesto Lecuona, Luiz Bonfa, ...
Samuel Huguenin Symbolic Quartet: L'Exile des Nymphes
by Luigi Sforza
Un piacevole e significativo numero di idee musicali--ben argomentate--sono presenti in L'Exile des Nymphes, album del giovane sassofonista svizzero Samuel Huguenin, che a capo di un pregevole quartetto esplora antiche danze musicali ("Estampie"); mescola essenze melodiche balcaniche con arabesche cadenze musicali ("Mescaline"); si esprime con inflessioni che lasciano immaginare gli strumenti ad ancia dell'Epiro ("Sikkim," ballad ...
A Remembrance of Percy Heath
by R.J. DeLuke
This article was originally published at All About Jazz in May 2005. Percy Heath could play the hell out of that big contrabass. Played it for more than half a century. With Bird and Miles and Diz and 'Trane and Brownie and the venerable Modern Jazz Quartet and on and on. And ...
We Three Kings: The Heath Brothers
by AAJ Staff
This article was originally published at All About Jazz in 2002. Bundle these three brothers' experiences and associations through their individual and collective careers, and anyone with even the slightest notion of jazz appreciation will indubitably realize the significance of the Heath triumvirate--bassist Percy, saxophonist Jimmy, and drummer Albert “Tootie." What an ...
Thelonious Monk
by Chris M. Slawecki
Thelonious Sphere Monk is one of the true great jazz originals. Monk's family moved from North Carolina to New York City while he was still an infant. He began piano lessons around age 12, playing Harlem rent parties then graduating to Harlem clubs such as Minton's Playhouse. Monk often played with Dizzy Gillespie and ...
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