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Archie Shepp & Jason Moran: Let My People Go
by Mark Corroto
Now an octogenarian, Archie Shepp's name is quite often spoken in the same sentence as that of John Coltrane. Shepp was born a decade after Trane and is associated with the great one's 'New Thing' and 'Fire Music.' His music though, post-Ascension (Impulse!, 1965), might be better equated to that of Billie Holiday, who was born, ...
Khruangbin: The Sly Art of Containment
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, “I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The “So You Don't Like Jazz" ...
Saxophone Colossi: An Alternative Top Ten Banging Albums
by Chris May
Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...
Andrea Balestra: A Rich Sicilian Odyssey
by Jim Worsley
Guitarist Andrea Balestra makes a cerebral investment with every note he plays and with all of his compositions. A lot of guitarists like to jam. Balestra isn't one of them. Substance is preferred over droning speed. His highly intensified music is born of traditional Italian music...being from Sicily perhaps a factor...a deep integration of blues, a ...
Ghosts In The Machine, Part 1: Jazz Musicians And Popular Music
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part I: The MachinesJazz and classical musicians have long had a troubled relationship with pop music. (By “pop music," I mean all styles outside of classical and jazz--country, rock, hip-hop, rap, etc.--any style that enjoys a double-digit market share is ...
Albert Ayler. Un ardito sogno futuristico
by Giuseppe Segala
Come una meteora, Albert Ayler ha attraversato il firmamento della musica neroamericana, dal 1962 al 1970. E ha lasciato il segno. Una traccia presente e attiva tutt'oggi, nell'operato di numerosi musicisti che dedicano il proprio lavoro all'improvvisazione e alla ricerca di un'autenticità dell'espressione artistica. L'apparizione del sassofonista nel mondo del jazz, una vera epifania, ...
Johnsen / Sahlander / Moen: Second Time's The Charm
by Friedrich Kunzmann
Bernt Moen's second trio strike with bassist Fredrik Sahlander and drummer Geir Age Johnsen is a balanced set of a few atmospheric Moen originals and well-known standards. Like on predecessor 1+1=3 (Losen Records, 2020), Second Time's The Charm sees the players interpret standards loosely, adding modern influences and physical interplay to popular melodies that sometimes venture ...
Brian Jackson: Winter In America Pt. 2
by Chris May
As Gil Scott-Heron's songwriting and performing partner during the 1970s, keyboardist, composer and arranger Brian Jackson was co-author of some of the most galvanising liberation music of the era. Inhabiting the intersection of jazz, soul and spoken word, Jackson and Scott-Heron, who met while they were both students at Lincoln University, were a team from Pieces ...
Yuichiro Tokuda: God dwells in everything
by Karl Ackermann
Saxophonist Yuichiro Tokuda has been a fixture on the Tokyo jazz scene for more than a decade. However, he is unknown in the U.S.A. With his quintet, called RALYZZDIG, he has toured throughout the Middle East, Asia, Europe, and North America. Tokuda has been a finalist or winner of several global jazz competitions, and was the ...
Luís Vicente / John Dikeman / William Parker / Hamid Drake: Goes Without Saying, But It's Got To Be Said
by Mark Corroto
It has been more than half a century since the oracles Albert Ayler and John Coltrane proclaimed their message of freedom to the people of earth. Please excuse the grandiosity of the above statement, but after those two giants passed, a shift in consciousness began to take hold. In the biography of William Parker Universal Tonality: ...
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