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Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
Rudresh Mahanthappa: Hero Trio
by Dan McClenaghan
In the chordless trio tradition of tenor saxophonist Sonny Rollins on A Night At The Village Vanguard (Blue Note, 1957) and alto saxophonist Lee Konitz with his Motion (Verve, 1961), alto saxophonist Rudresh Mahanthappa offers up his Hero Trio, a saxophone, bass and drums outing nodding to his influential musical heros. Mahanthappa began his ...
Alexa Tarantino: Passion For Playing And Teaching
by R.J. DeLuke
Alexa Tarantino was bitten by the jazz bug at a young age. She was fortunate to grow up in a community where jazz is an important part of the musical fabric—rare these days. She swiftly grabbed hold of the music and has developed into an in-demand alto saxophonist, earning a series of high-profile gigs that slowed ...
Sonny's Crib
by C. Michael Bailey
From the outset, pianist Sonny Clark's sophomore effort as a leader is crisp, white-hot hard bop. Leading a standard bop trumpet-tenor saxophone quintet (Donald Byrd, John Coltrane), supplemented with trombone (Curtis Fuller), Clark and his most reliable rhythm section of bassist Paul Chambers and drummer Art Taylor carve five dictionary examples (with alternate takes on the ...
Black Lives Matter, Black Culture Matters
by Franz A. Matzner
Black lives matter. I am a jazz writer, so my lens on this truth is in some respects through music. The protests sweeping the country—and globe—are potent and necessarily focused on ending racial violence and police brutality. The images we see with increasingly open eyes of the barbaric treatment of African Americans are changing perceptions and ...
A Jazz Immuno-Booster: Part 7
by Ludovico Granvassu
The immuno-booster series continues, and confirms its wide-ranging nature. In this seventh installment the selections range from Stevie Wonder to Mahalia Jackson, passing through Myra Melford, Lyle Mays, Bill Frisell, Charlie Haden, John Coltrane, The Weather Report and Lea Bertucci, who surprisingly seems to take off where Jacobus Gallus left a few hundred years earlier. Mina ...
Marialy Pacheco: Danzón Cubano
by Ian Patterson
You can take the girl out of Cuba, but you can't take Cuba out of the girl. Pianist Marialy Pacheco left her homeland for Germany in 2004, and after a few years in Australia, settled once again in Germany. Wherever Pacheco has dropped anchor, however, she has turned to her island's music for inspiration. Nestled amongst ...
Idris Ackamoor: An Afro-Futurist Odyssey
by Chris May
In summer 2020, Idris Ackamoor will release Shaman! on Britain's Strut label. It is his third album with the post-2015 incarnation of his 1970s band, The Pyramids. It reunites Ackamoor with flautist Margaux Simmons, with whom he had co-founded The Pyramids in 1972. Ackamoor's route to Afro-Futurist jazz began in the US in ...
New Jazz From London: Top 20 Paradigm Shifting Albums
by Chris May
After a lifetime trying to get on an equal footing with its American parent, British jazz has finally come of age. Since around 2015, a community of young, London-based musicians has forged a style which, while anchored in the American tradition, reflects the Caribbean and African cultural heritages of many of its vanguard players. The scene ...
Geoff Mason: GMQ
by Jack Bowers
Geoff Mason, one of the UK's leading jazz trombonists, mans the front line by himself on the slyly named GMQ, an eloquent quartet session from which Mason's longtime colleague, the outstanding saxophonist Simon Spillett, is regrettably missing. As nothing can be done to set that right, best to focus on the music at hand, which binds ...
