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César Cardoso: Dice of Tenors

by Friedrich Kunzmann
Judging solely by the credits and scope of the Portuguese saxophonist César Cardoso's newest undertaking, one could expect a pretty conservative affair. The title of the album sums it up quite adequately. From Benny Golson to Sonny Rollins to Joe Henderson, Cardoso cuts through the oeuvre of some of the most distinguished masters of the tenor ...
AACM: Together We Are Stronger

by Chris May
With the passing in 2017 of the pianist Muhal Richard Abrams and trumpeter Phil Cohran, the Association for the Advancement of Creative Musicians, formed in Chicago in 1965, lost the last two of the four musicians who organised its inaugural meeting. But with two succeeding generations of standard bearers stepping up to the plate, the AACM ...
A Jazz Immuno-Booster: Part 4

by Ludovico Granvassu
The immuno-booster series goes on... Here's another eclectic mixtape bringing you uplifting and soothing music recommended by jazz musicians. The fourth installment of this mix-tape series features selections by Nik Bartsch, Jamie Baum, Carla Bley and Steve Swallow, Alessandra Bossa, Jakob Bro, Moppa Elliott, Federica Michisanti, Chris Potter, Enrico Rava, Louis Sclavis, Mazz Swift ...
Strata-East: Seizing the Time

by Chris May
Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...
Roberto Magris: Suite!

by Dan McClenaghan
Italian pianist Roberto Magris began his jazz career in the late 1970s, releasing a handful of excellent albums on Soul Note Records. He picked up steam in his collaboration with Kansas City's JMood Records in 2008 on Kansas City Outbound. As a pianist and a bandleader, Magris seems to have soaked up numerous influences--mid-sixties Blue Note ...
James Brandon Lewis / Chad Taylor: Live In Willisau

by Mark Corroto
Saxophonist James Brandon Lewis and drummer Chad Taylor's 2017 studio session Radiant Imprints (Musicube/Off, 2018) was hailed by many critics and fans alike as one of the best recordings of 2018. It was indeed a true revelation, yet that recording wasn't the genesis of a major talent. Lewis' inaugural release Divine Travels (Okeh, 2014) accomplished that ...
Moers Festival Interviews: Møster!

by Martin Longley
During his recent visit to the Borealis festival of experimental music in Bergen, your scribe met up with reedsman Kjetil Møster, who also happens to be on the directors board of that mighty fine weekender. In just under two months, he'll be bringing his long-running self-named quintet Møster! to the Moers Festival in Germany (29th May-1st ...
Steve Dawson: Finding the Secret of a Song

by Jakob Baekgaard
It might be that singer/songwriter Steve Dawson was born in California and raised in Idaho, but he has become a son of the city he calls home: Chicago. He is teaching at the acclaimed Old Town School of Folk Music and while preparing others for a life in music, he has also followed his own musical ...
Schapiro 17: New Shoes: Kind of Blue at 60

by Jack Bowers
2019 marked the sixtieth anniversary of the Miles Davis sextet's acclaimed album, Kind of Blue (Columbia). While the tributes didn't exactly pour in, New York-based composer / arranger Jon Schapiro took it upon himself not only to revisit that classic session but to re-orchestrate it for a large ensemble (the Schapiro 17) and flesh it out ...
George Garzone: Sax In The City

by Jim Worsley
George Garzone is not the mayor of the city of Boston. If he was appointed to a position it would more likely be king. He is, at the very least, the toast of the town. This isn't news. King George has reigned with a firm grasp of his mighty tenor saxophone for close to half a ...