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Bill Cunliffe: Always Doing It The Right Way
by Jim Worsley
Most notably a jazz pianist, it comes as more than a surprise that Bill Cunliffe was not in the same orbit as jazz until he was in college. With the sheer volume of top shelf jazz he has written and recorded since, he would seem to have made up for any lost time. That time, those ...
Franco Ambrosetti: Busy Businessman, Exquisite Artist
by R.J. DeLuke
Franco Ambrosetti, a horn player from Switzerland, has a unique perspective on music and art. Because his vantage point is different than many musicians, having held the position as CEO of a significant company in Europe. He plays trumpet and flugelhorn with a rich tone and an approach that has matured over time, shifting from a ...
Franco D'Andrea: sfumature di una vita dedicata al jazz
by Paolo Marra
Abbiamo intervistato in occasione dei suoi ottant'anni, compiuti lo scorso 8 marzo, il pianista e compositore Franco D'Andrea. Ne è scaturito il racconto di un uomo dedito con inesauribile curiosità, studio e talento alla poetica del jazz. Come afferma lui stesso-"Il jazz mi ha dato una direzione, ha reso la mia vita coerente con un obiettivo ...
Take Five with Camila Ronza
by AAJ Staff
Meet Camila Ronza Born on February 10, 1995, in São Paulo, Brazil. From an early age, she had contact with music because of her very musical family, who always inspired and encouraged her. As a child, she joined OSESP Children's Choir and performed as a solo singer, so she soon decided to be a ...
Take Five with David Larsen
by AAJ Staff
Meet David Larsen David Larsen is a saxophonist, composer, and educator. He has performed with a variety of artists including Ken Peplowski, Francisco Torres, Dave Glenn, Ron Vincent, Bill Mays, Dean Johnson, and the internationally acclaimed jazz vocalist Halie Loren. Recently, Larsen appears on the Origin Records release New Normal (2021) by Greg Yasinitsky and was ...
Seeing Jazz: The Photography of Luciano Rossetti
by Karl Ackermann
As a jazz venue, the mid-town Manhattan club Royal Roost had a short life span. The Royal Roost opened in 1948, but the jazz scene had moved past it less than two years later. In Greenwich Village, twenty-five-year-old photographer Herman Leonard had just opened his first photography studio to the south. A bebop fan, he was ...
Gergo Borlai: Talkin' Drummers and Drumming
by Jim Worsley
Most kids have heroes. Whether they be athletes, astronauts, artists, astrophysicists, (and that's just the “A's") or any of the many asundered possibilities. Gergo Borlai needn't go passed the “D's" to find his calling. Drumming came early, incredibly early, and he has never looked back. Determination and commitment can be a powerful force. Before long the ...
Logan Richardson: To Boldly Go Where No Jazz Has Gone Before
by Chris May
In a 2016 interview, Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, Shift, ...
Dan Rosenboom: Points of an Infinite Line
by Friedrich Kunzmann
Released in the environment of his own label's absolute creative control, trumpeter Dan Rosenboom's newest outing sees a chordless quartet venturing beyond the borders of swing, exploring heavy grooves and free-wheeling improvisation to the point where jazz, hip hop and the rough edges of many other genres meld together to a single style that simultaneously defies ...
Francesca Remigi: impegno sociale, innovazione e crescita
by Serena Antinucci
Il primo disco della batterista e compositrice Francesca Remigi, Il labirinto dei topi, realizzato insieme al gruppo Archipélagos è un progetto complesso e importante, in cui si osserva la società e si esprimono le sue profonde contraddizioni. La batterista di Bergamo ci fa ascoltare il deterioramento delle logiche capitalistiche, lo sfaldamento del sistema sociale e culturale ...
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