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Matthew Shipp & Mat Walerian Duo / The Uppercut: Live At Okuden
by Mark Corroto
Jane Austen was mistaken when she wrote “Surprises are foolish things. The pleasure is not enhanced, and the inconvenience is often considerable." Passing away at the age of 41 in 1817, she would not have had the opportunity to hear either jazz, nor the music of Matthew Shipp and Mat Walerian. The surprise here ...
A Madman’s Approach To Music And Why Can't Music Be Like A Tree?
by Duncan Heining
"Art alone makes life possible." --Joseph Beuys. The Glasgow Improvisers' Orchestra is unique. It's an over-used word, I know, but in this case fully justified. GIO are unique in so many ways--in the way they formed, the way they make decisions, in their make-up, how they work and most importantly how they sound. They ...
Live From Birmingham: Amy Roberts, Richard Exall, Bruce Coates, John Edwards, Mark Sanders, GoGo Penguin & Mammal Hands
by Martin Longley
The Amy Roberts/Richard Exall Jazz Band Solihull British Legion March 8, 2015 Shockingly, this regular club at Solihull British Legion, so accustomed to traditional New Orleans trotters, had booked a band that specialises in jazz from a slightly later time period. Precedents already existed, though, and the regulars have ...
Joachim Badenhorst: Forest // Mori
by Mark Corroto
Clarinetist Joachim Badenhorst probably doesn't know who Ray Johnson is, or was. He died 20 years ago. Johnson, the father of Mail Art, created a network of artists and patrons beginning in the1960s through his correspondences. He called them 'correspondances.' His mailings created a worldwide democratic system for art. Mail Art peaked pre-internet, in ...
RED Trio and Mattias Ståhl: North And The Red Stream
by John Sharpe
On their fifth album, Swedish vibraphonist Mattias Ståhl joins the Portuguese Red Trio as a guest. He's the latest in a sequence which includes alliances with saxophonist John Butcher and trumpeter Nate Wooley on disc, and reedman Ken Vandermark in performance. The product, North And The Red Stream, comprises three collective improvisations recorded at the VDU ...
John Butcher: So Far
by Sammy Stein
Saxophonist John Butcher's career could have taken an academic path. He completed a Ph.D in theoretical physics--Charmed Quarks to be precise--but left the academic world behind shortly thereafter. As a saxophonist, Butcher has played with and collaborated with many musicians. He is not afraid to try completely off the wall musical experimentation.
Natsuki Tamura, Alexander Frangenheim: Nax
by Karl Ackermann
Trumpeter Natsuki Tamura has long straddled the divide between free improvisation and lyrical jazz. The latter has been adequately and beautifully represented in his work with Gato Libre. That quartet features his wife and occasional duo partner--the pianist and accordionist Satoko Fujii--and combines elements of folk, chamber and modern jazz. In contrast, much of his solo ...
Hild Sofie Tafjord: Breathing
by Eyal Hareuveni
Norwegian French horn player Hild Sofie Taford has re-written the instrument's sonic possibilities, in many previous free improvised formats that were fearless. She plays in the electro-acoustic free improv quartet SPUNK, the duo Fe-Mail (with Maja Ratkje of SPUNK) and the meeting of Fe-Mail with the prog- metallists of Enslaved in Trinacaria and collaborated with forward- ...
The Apophonics: On Air
by John Sharpe
In On Air, radical English saxophonist John Butcher combines two favorite pairings into a threesome which explores a fresh take on the traditional sax/bass/drums model. When Californian percussionist Gino Robair first performed with Butcher in a 1997 recording session in Oakland, something clicked and they have toured extensively since, releasing three duo CDs and nine in ...
Mats Gustafsson/dieb13/Martin Siewert: Fake The Facts: Soundtrack
by Mark Corroto
Stripped to its core, music is communication. It is the accompaniment to life's movie. The first fabulists, our cavemen ancestors probably invented music by imitating the sounds of nature, such as bird calls, wolf howls, and the patter of rain on the cave's entrance. The pleasure delivered by that experience caused several members of the cavemen's ...
