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481

Article: Album Review

Debbie Poryes: Catch Your Breath

Read "Catch Your Breath" reviewed by John Barron


Recording a disc half-filled with overdone standards should require, at minimum, an attempt at dissection and redirection, investigating any harmonic and rhythmic possibilities left over after decades of use. Such is the case with the release of Catch Your Breath, from San Francisco Bay-area pianist Debbie Poryes. Poryes' approach to arranging involves sophistication with warmth and ...

200

Article: Album Review

Brandon Wright: Boiling Point

Read "Boiling Point" reviewed by John Barron


Saxophonist Brandon Wright has spent the last few years making a name for himself on the New York jazz scene as both a sideman and bandleader. Since graduating from the University of Miami, the New Jersey native has performed with the Vanguard Jazz Orchestra, the Maria Schneider Jazz Orchestra and, most recently, has been touring with ...

451

Article: Album Review

Martin Taylor's Spirit of Django: Last Train to Hauteville

Read "Last Train to Hauteville" reviewed by John Barron


Often, tribute recordings are nothing more than a way to get over to a wider audience by exploiting the innovations and persona of past musical giants. When done with sincerity, however, a tribute captures the essence of the honoree while eschewing mimicry and blatant commercial intent. Such is the case with Last Train to Hauteville, a ...

178

Article: Album Review

Playdate: Playdate

Read "Playdate" reviewed by John Barron


Playdate brings together a trio of long time friends and musical collaborators. Guitarist Amanda Monaco, saxophonist Wayne Escoffery, and pianist Noah Baerman have known each other since high school, studying music together at the Educational Center for the Arts in New Haven, Connecticut. The ensemble is rounded out by bassist Henry Lugo and drummer Vinnie Sperrazza ...

310

Article: Album Review

Ehud Asherie: Modern Life

Read "Modern Life" reviewed by John Barron


New York-based pianist Ehud Asherie swings hard on Modern Life, his third release for Posi-Tone Records. With the help of tenor saxophonist Harry Allen, bassist Joel Forbes and drummer Chuck Riggs, the Israeli-born Asherie demonstrates an in-depth understanding of the piano jazz tradition. Throughout this set of standards and riff-based Asherie originals, it doesn't take long ...

258

Article: Album Review

Dana Hall: Into The Light

Read "Into The Light" reviewed by John Barron


Chicago-based drummer Dana Hall makes his debut as a leader with Into the Light, a provocative quintet recording featuring trumpeter Terell Stafford, saxophonist Tim Warfield, Jr., pianist Bruce Barth, and bassist Rodney Whitaker. Herbie Hancock's “I Have a Dream" opens the session with an explosive punch. Hall's uncompromising intensity makes clear exactly who is ...

645

Article: Album Review

Amnesiac Quartet: Tribute to Radiohead

Read "Tribute to Radiohead" reviewed by John Barron


Led by pianist Sebastien Paindestre, France's Amnesiac Quartet pays homage to the iconic British band Radiohead with Tribute to Radiohead. The disc is an endearing live set of instrumental renditions of five Radiohead songs, each with extended open space for intense improvising from Paindestre, soprano saxophonist Fabrice Theuillon, bassist Joachim Florent, and drummer Antoine Paganotti.

228

Article: Album Review

Suresh Singaratnam: Lost in New York

Read "Lost in New York" reviewed by John Barron


New York-based trumpeter/composer Suresh Singaratnam makes his debut as a leader with Lost in New York, a well-conceptualized set of original progressive jazz. A recent graduate of the Manhattan School of Music, the Toronto native explores a musical landscape as diverse as his adopted New York home, toying with syncopated ostinatos, extended vamps, layered rhythms and ...

358

Article: Album Review

Hadley Caliman: Straight Ahead

Read "Straight Ahead" reviewed by John Barron


Seattle-based saxophonist Hadley Caliman returns to the recording studio with his working band for Straight Ahead, the follow-up to his superb Gratitude (Origin, 2008). Aided by trumpeter/producer Thomas Marriott, pianist Eric Verlinde, bassist Phil Sparks and drummer Matt Jorgensen, the 78-year old Caliman charges head-on through a set of standards, jazz classics and original gems.

158

Article: Album Review

Trio Reenactment: What Once Was...

Read "What Once Was..." reviewed by Dan McClenaghan


The Detroit-based Trio Reenactment follows up its self-produced, self-titled 2008 debut with What Once Was...", a piano trio set filled with catchy hooks, engaging can't-get-'em-outta-your-head melodies, a bunch of soul and funk, and some fine mainstream jazz tunes.The set bounces to life with “Piano Mang," penned by Trio Reenactment's leader, bassist John Barron. It's ...


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