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Lee Konitz: What True Improvising Is
by Bob Kenselaar
Lee Konitz is legendary as one of the great individualists in jazz, an art form that has always placed an extraordinary high value on individualism and unique forms of expression. “I've pretty much dedicated myself to trying to figure out what true improvising is," he says, “as opposed to playing what you know and getting loose ...
Marc Johnson / Eliane Elias: Swept Away
by Dan McClenaghan
Swept Away is certainly a collaborative effort--co-led by Eliane Elias and bassist Marc Johnson--but it seems more like the pianist's set. The Sao Paolo-born pianist, Elias, penned five of the disc's eleven tunes, and co-wrote two more with her musical/life partner, Johnson. The duo, in league with drummer Joey Baron and, on five tunes, saxophonist Joe ...
Marc Johnson / Eliane Elias: Swept Away
by John Kelman
It's a relatively rare occasion when Marc Johnson releases an album under his own name, but based on the bassist's track record--from Bass Desires (ECM, 1985) through to Shades of Jade (ECM, 2005)--it's always one to celebrate. As Johnson fast approaches 60, it seems like only yesterday that he emerged as the bassist in Bill Evans' ...
Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note
by Greg Simmons
At almost 85 years old Lee Konitz can play whatever he damn well pleases on his alto saxophone, and it's a good thing he does. He may currently be making some of the most interesting music of his long career. Enfants Terribles: Live at the Blue Note teams Konitz with three first-rate musicians--all jazz stars in ...
Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note
by Mark Corroto
Super groups are, by their very nature, either bright shining stars or catastrophic exploding supernovae. Dream team basketball lineups get beat by upstarts, and the new Stallone/Schwarzenegger/Van Damme movie is sure to be a nonstarter. The reasons for the flops are usually chemistry and vision, both essential requirements.Same can be said for jazz groups. ...
Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note
by John Kelman
The idea of going into a club and playing a set of standards without any plans, preconceptions or pre- arrangements ain't exactly new; it's what plenty of jazz musicians do, each and every night. But it's one thing to go in and run down some Real Book charts, head-solo-head style, and give everyone a chance to ...
Changing of the Guard: The 33rd Annual Detroit Jazz Festival
by C. Andrew Hovan
The 33rd Annual Detroit Jazz FestivalDetroit, MichiganAugust 31- September 3, 2012They don't call it the largest free jazz festival in North America for no reason. Every Labor Day weekend in Detroit, jazz fans try to wrap their brains around the diverse and generous offerings of one of the country's most successful jazz festivals, ...
Newport Jazz Festival: Newport, RI, August 4-5, 2012
by R.J. DeLuke
Newport Jazz FestivalFort Adams State ParkNewport, RIAugust 4-5, 2012Having a celebration for the 70th birthday of an amazing musician--drummer Jack DeJohnette--was an outstanding feature of this year's Newport Jazz Festival. The drummer was featured in two sets in a single day (Saturday), first with a band he has been ...
Half Note Announces A New Release From Lee Konitz, Enfants Terribles, Featuring Bill Frisell, Gary Peacock, Joey Baron
Available In Stores And Online September 25, 2012 Enfants Terribles features four veteran jazzmen whose collective efforts on stage and in the studio span decades. Together they are saxophonist Lee Konitz, guitarist Bill Frisell, bassist Gary Peacock and drummer Joey Baron. Individually, each boasts a distinguished career path and network of associations representing jazzʼs wide range ...
Gent Jazz Festival: Days 1-4: July 5-8, 2012
by Martin Longley
Gent Jazz Festival Bijloke Gent, Belgium July 5-8, 2012 All parts of northern Europe had already been suffering an intense rainfall throughout the month of June. There was no abating once July was in swing. The forecast was pretty much for a daily downpour, and for once ...
