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Decoy with Joe McPhee: Spontaneous Combustion
by John Sharpe
In spite of its relatively recent vintage, Oto (Bo' Weavil, 2010), the first encounter between Joe McPhee and British improvising trio Decoy, has quickly become one of the veteran multi-instrumentalist 's most popular recordings. By way of follow up Spontaneous Combustion first released as a LP, but now reissued as a double CD with added tracks, ...
Konstrukt and William Parker: Live At NHKM
by Mark Corroto
Let me propose the notion that American poet Emily Dickinson was a free jazz fan. Sure, you have to look past the fact that she died in 1886, when Buddy Bolden was but nine years old. But consider her words: “The worthlessness of Earthly things/The Ditty is that Nature Sings -/And then -enforces their delight/Til Synods ...
Alexander Hawkins: Alexander Hawkins Trio
by Karl Ackermann
Oxford, UK native Alexander Hawkins continues to chart a course that will inevitably place him in the creative category of pianist/composers of the caliber of Cecil Taylor and Andrew Hill. It is simply a matter of time before this is a young artist--who has an abundance of time--along with a distinctive, broad and progressive vision, comes ...
Anthony Braxton, Tomas Fujiwara, Tom Rainey: Trio (New Haven) 2013
by Giuseppe Segala
L'abbinamento spericolato di ance e batteria rappresenta uno dei motivi più penetranti del jazz contemporaneo e continua a essere praticato con pregnanza a abbondanza: se i lavori recenti di Roscoe Mitchell con Tyshawn Sorey e Mike Reed ne disegnano l'aspetto più metafisico e astratto, le numerose escursioni di Ken Vandermark con Paal Nilssen-Love tracciano percorsi audaci ...
Dialoghi ai confini del suono
by Enrico Bettinello
Un paio di duetti avventurosi pubblicati dalla Relative Pitch Records. Questione di irriducibilità. Ai generi, alle mode, alla convenienza (quale essa sia). Paul Flaherty, Randall Colbourne Ironic Havoc Relative Pitch Records (2013) * * * ½ Il primo. Paul Flaherty e ...
8th Annual Red Hook Jazz Festival Takes Place June 14 & 21 In The Urban Meadow
“The Red Hook Jazz Festival exists contentedly on the margins, like its namesake neighborhood and much of the music on its bill... The mood in the audience was neighborly, with a higher ratio of small children to youngish adults than I’ve seen at any musical event not expressly pitched as a kids’ show.” —Nate Chinen, New ...
Music preview: Saxophone and trumpet duo travel beyond the jazz code
By Manny Theiner Chicago saxophonist Ken Vandermark is one of the most persuasive, personified arguments for why every state’s liquor laws should be amended to allow minors to attend concerts if accompanied by a parent or guardian. While still in his tweens, Ken was enjoying jazz clubs in his hometown of Boston at the side of ...
Dave Rempis: Zen Master
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by Mark Corroto
The best application of philosophy to improvised music is the Chinese concept of “wu-wei." The best translation of this is “no trying." Many listeners have the false impression that it takes a sophisticated ear or at least years of listening to “get" improvised music. Actually, the opposite is true. The key is wu-wei or the art ...
konstruKt and Joe McPhee: Babylon: The First Meeting of Istanbul
by Dave Wayne
Taken at face value, konstruKt's catchphrase, “Free Jazz from Turkey," seems a tad pedestrian. But, if one considers Turkey's place in the world-literally the crossing point between Asia and Europe-its crazy-quilt ethnic diversity, and its continued religious and political unrest, it's a fitting metaphor. Oddly, most of the band's recorded output features invited guest artists from ...
