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Fred Hersch: No Limits
by Maxwell Chandler
From the start of his career as a sideman in the 1970s for such jazz luminaries as Joe Henderson, Art Farmer and Stan Getz to his own ensembles and solo projects, there has always been a great diversity and intensity to Fred Hersch's art. Having won a Guggenheim Memorial Fellowship for composition (2003) and having been ...
Stefon Harris: Authenticity and Audacity
by R.J. DeLuke
Authenticity is a special word for vibraphone wizard Stefon Harris when it comes to his art, which springs from the tradition of jazz music, but is approached through a modern lens that takes into account the sounds and perspective of 2009. He has enough audacity--also a special word for Harris--to say it clearly, to ...
Take Five With Benny Reid
by AAJ Staff
Instrument(s):Alto saxophone.Teachers and/or influences?Starting with my alto sax teacher in high school, Andy Fusco of Buddy Rich Band fame, and throughout college at Indiana University I studied with Tom Walsh, who is a great jazz and classical player that really knows how to bring out the individualism in each student. ...
John Patitucci: Celebrating Jazz Heroes
by R.J. DeLuke
As sayings go, “One man's trash is another man's treasure" is pretty straightforward, especially for those enamored with garage sales. For lovers of jazz music, it may hold a bit more significance, for it played a fateful role in the life of one of today's superlative artists in the genre. John Patitucci is one ...
Nick Hempton Band: Nick Hempton Band
by David A. Orthmann
After a few years of knocking about in New York City's jazz underground, the Nick Hempton Band is getting a toehold in venues like Smalls, Zinc Bar, and Fat Cat. Hempton's satirical account of the rigors of a “combined eight hours of work in a single month" is posted on the band's website in an entry ...
Dan Tepfer: Oxygen & Duets with Lee
by Martin Longley
Dan TepferOxygenDIZ Productions2009 Dan TepferDuets with LeeSunnyside2009 The full arrival of pianist Dan Tepfer has been signaled by his recent sideman work with the august alto saxophonist Lee Konitz. These ...
The Sound and HTML: Introducing the AAJ Orchestra
by Peter Cobb
In many discussions about jazz's future, people have argued that the Internet will be the next 52nd Street for the music. Sadly, like many things Web, there has been more sizzle than steak. But not always--this past weekend I played a gig with the All About Jazz Orchestra (AAJO), a group that existed purely in binary ...
Fred Hess Big Band: Hold On
by Dan McClenaghan
Fred Hess has been prolific this millennium. For those familiar with the Denver-based saxophonist's last six discs, however, Hold On may come as a surprise. Since 2004, Hess has immersed himself in the art of the piano-less quartet, before augmenting his group--first, with a second saxophonist, and then a guitarist, moving from quintet to sextet and ...
Take Five With Jon Crowley
by AAJ Staff
Meet Jon Crowley: Forward-thinking trumpeter and composer, Jon Crowley was born in Malvern PA, a suburb of Philadelphia, in 1982. He began studying the trumpet at age six with Elin Frazier, a student of Carmine Caruso. While in high school he developed an interest in Jazz and began attending local jam sessions and sitting in with ...
The Jazz Romeo of 46th Street
by Sam Newsome
The New York City jazz scene in the 1980s experienced an influx of young musicians from all over the world, looking to get a slice of “The Big Apple." Among them was an adventurous 22-year-old saxophonist and flutist from Italy named Roberto Romeo who--after selling most of his belongings--came to New York for what he thought ...
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