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Wayne Escoffery: Uptown
by Joel Roberts
On Uptown, his fifth album as a leader, the impressive 34-year-old tenor saxophonist {Wayne Escoffery employs an old-fashioned soul jazz lineup of sax, Hammond B-3 organ, electric guitar and drums. But don't expect to hear the sort of bluesy “uptown" jams associated with classic soul jazz tenors like Gene Ammons, Eddie “Lockjaw" Davis or Stanley Turrentine. ...
Live Big Bands From New York: Charles Tolliver, Darcy James Argue & Charli Persip
by Martin Longley
The Charles Tolliver Big BandIridiumOctober 18, 2009 Trumpeter Charles Tolliver likes to keep his big band well-drilled. His arrangements are concerned with a cutting, eagle-swoop precision, built up from portable clusters that can be detonated at any time. He enjoys settling into a sleek groove, but will suddenly find the urge ...
Stanley Clarke Trio: Live at Catalina's
by Carl L. Hager
Stanley Clarke TrioCatalina Bar and GrillHollywood, CAOctober 7, 2009 When bassist Stanley Clarke gathered drummer Lenny White and piano phenom Hiromi together last December to do his first-ever trio album, Jazz In The Garden (Telarc, 2009), no one knew quite what to expect. Hiromi was clearly a ...
Sunday Jam with Jason Palmer at Wally's Cafe, Boston
by Timothy J. O'Keefe
Open Jam with Jason PalmerWally's CafeBoston, MassachusettsOctober 18, 2009 It's New England, and a mixture of rain and snow falls on this October day. Beyond a red door lies a small, rectangular room. At the far end of the bar, a TV is tuned to the game. But you don't come ...
Stanley Clarke: Jazz in the Garden
by Terrell Kent Holmes
Bassist Stanley Clarke has explored many musical genres throughout his storied career, crossing and re-crossing musical boundaries to collaborate with everyone from Art Blakey and Joe Henderson to Chick Corea and Al Di Meola. So it's surprising that Jazz in the Garden is his maiden voyage as the leader of an acoustic band. ...
Pianist Fred Hersch Interviewed at AAJ
From the start of his career as a sideman in the 1970s for such jazz luminaries as Joe Henderson, Art Farmer and Stan Getz to his own ensembles and solo projects, there has always been a great diversity and intensity to Fred Hersch's art. Having won a Guggenheim Memorial Fellowship for composition (2003) and having been ...
Fred Hersch: No Limits
by Maxwell Chandler
From the start of his career as a sideman in the 1970s for such jazz luminaries as Joe Henderson, Art Farmer and Stan Getz to his own ensembles and solo projects, there has always been a great diversity and intensity to Fred Hersch's art. Having won a Guggenheim Memorial Fellowship for composition (2003) and having been ...
Stefon Harris: Authenticity and Audacity
by R.J. DeLuke
Authenticity is a special word for vibraphone wizard Stefon Harris when it comes to his art, which springs from the tradition of jazz music, but is approached through a modern lens that takes into account the sounds and perspective of 2009. He has enough audacity--also a special word for Harris--to say it clearly, to ...
Take Five With Benny Reid
by AAJ Staff
Instrument(s):Alto saxophone.Teachers and/or influences?Starting with my alto sax teacher in high school, Andy Fusco of Buddy Rich Band fame, and throughout college at Indiana University I studied with Tom Walsh, who is a great jazz and classical player that really knows how to bring out the individualism in each student. ...
John Patitucci: Celebrating Jazz Heroes
by R.J. DeLuke
As sayings go, “One man's trash is another man's treasure" is pretty straightforward, especially for those enamored with garage sales. For lovers of jazz music, it may hold a bit more significance, for it played a fateful role in the life of one of today's superlative artists in the genre. John Patitucci is one ...
