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Eric Jacobson: Discover
by Nicholas F. Mondello
With Discover, Milwaukee-based trumpeter and jazz educator Eric Jacobson and team take us on an aural time trip back to the days when album covers were iconically black and white or monochrome and the contents within were drenched in blue-hued Hard Bop. This is a fine effort with that precise presentation. “New Combinations," ...
Charged Particles' Michael Brecker Tribute at Dazzle
by Geoff Anderson
Charged Particles, Michael Brecker Tribute Dazzle Denver, Colorado November 12, 2022 Michael Brecker lives on. On Saturday night, Bay Area band Charged Particles brought their Michael Brecker tribute to Dazzle for a two-night stand. Normally a trio, the Particles were joined by Tod Dickow, a Brecker acolyte, on tenor ...
The Giants of Jazz, David S. Ware, Maria Schnyder Orchestra
by David Brown
This week, the early '70s live LPs of The Giants of Jazz (Gillespie, Monk, Blakey, Stitt), then celebrate the birth week of David S. Ware, and finally, we'll surround ourselves with the sounds of the Maria Schnyder Orchestra. Playlist Thelonious Monk “Esistrophy (Theme)" from Live at the It Club-Complete (Columbia) 01:00 Rosemary Clooney, and ...
Kevin “Bujo” Jones: Jazz as a Part of The Continuum
by Jane Kozhevnikova
Jazz musicians can be found working in any other music styles, probably because jazz gives great flexibility and freedom of expression that can be easily applied to any music. Kevin “Bujo" Jones, a percussionist born in Englewood, New Jersey, and residing in Grand Rapids, Michigan, feels equally comfortable playing jazz and non-jazz. Moreover, he does not ...
Day of the Dead Show - A Sonic Alter
by David Brown
This week, we bring you G-Town Radio's 5th annual Day of the Dead weekend. For this week's Jazz Continuum program, we will feature a variety of jazz musicians paying homage to friends, mentors, and icons in the Jazz Continuum. Think of this as a sonic alter to those who came before in the music.
What Jazz Is Best For Running?
by Steve Cook
New York City isn't just an epicenter for the music that All About Jazz readers love. It is also home to the largest marathon in the world. With tens of thousands training for the upcoming race, this edition of The Big Question considers: What jazz is best for running? The following reflects on the question through ...
Herbie Hancock: An Essential Top Ten Albums
by Chris May
The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...
Alina Bzhezhinska & HipHarpCollective: Reflections
by Chris May
In an inspired piece of programming, London's Barbican Centre presented the then virtually unknown harpist Alina Bzhezhinska and her quartet as one of the support bands on its November 18, 2017 one-nighter A Concert for Alice and John, a show headlined by Pharoah Sanders. It would be an exaggeration to say Bzhezhinska stole the show (see ...
Generation Gap Jazz Orchestra: The Generation Gap Jazz Orchestra
by Jack Bowers
The Generation Gap Jazz Orchestra, co-led by pianist/composer Steven Feifke and trumpeter par excellence Bijon Watson, is a seventeen-member ensemble comprising seasoned players paired with young lions who are poised to capture pride of place. Nowhere do the leaders say who is in which group, and it would be impolitic to name them here. Suffice to ...
Horace Silver: His Only Mistake Was To Smile
by Chris May
In his sleeve note for the audio restored Horace Silver album Live New York Revisited (ezz-thetics, 2022), British writer Brian Morton cut to the chase. “[Silver]'s only mistake," he wrote, “was to smile while he was playing... a challenge to the notion that jazz should be deadly serious and played with a pained rictus."
