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Dialogo su Thomas Chapin, con Stefano Pastor e Stefano Leonardi
by Giuseppe Segala
La realizzazione del documentario Thomas Chapin, Night Bird Song ci offre l'occasione di fare una chiacchierata con il violinista Stefano Pastor e il flautista Stefano Leonardi, due tenaci e impavidi musicisti e improvvisatori che nel 2014 hanno pubblicato, in quartetto con Fridolin Blumer al contrabbasso e Heinz Geisser alla batteria, il CD Conversations about Thomas Chapin: ...
Joe Harriott Quintet: Abstract/Southern Horizons/Free Form
by Duncan Heining
Swing Low, Sweet Harriott I don't think Joe Harriott's entire catalogue has ever been available at one time. Even in his heyday in the sixties, much of the 1950s material was unavailable. From the seventies onwards, things got really dire. Now that so much is out of copyright, Harriott's work is increasingly being reissued ...
Coleridge Goode: 100 Not Out!
by Duncan Heining
To celebrate the 100th birthday of Jamaican-born bassist Coleridge Goode, All About Jazz publishes Duncan Heining's 2012 interview with Goode. A remarkable man and musician, the bassist connects aspects of British jazz from the 1930s through the war years and on through the fifties, sixties and seventies. He played with Caribbean-born and black British jazz pioneers ...
Graham Bond: Wading in Murky Waters
by Duncan Heining
Organist and saxophonist Graham Bond was the most important and influential musical pioneer to emerge from British jazz in the 1960s. High praise indeed, but in his case it is warranted. His legacy might be defined less by the music he recorded and more by the impact he had on subsequent generations of musicians. However, that ...
Joe Harriott Quintet: Movement / High Spirits
By Joe Harriott
Label: Dutton Vocalion
Released: 2012
Track listing: Tracks: Movement>: Morning Blue; Beams; Count Twelve; Face in the Crowd; Revival; Blues on Blues; Spaces; Spiritual Blues; Movement.
High Spirits: Home Sweet Heaven; If I Gave You; Go Into Your Trance; You’d Better Love Me; I Know Your Heart; Was She Prettier Than I?; Forever and a Day; Something Tells Me.
London Jazz Festival: November 9-18, 2012
by Duncan Heining
London Jazz FestivalLondon, England November, 9-18, 2012Now in its 20th year, the London Jazz Festival is a vast, all-encompassing affair. One of the great cities of the world, London's history saw it swallow village upon village and hamlet after hamlet and this can make it all seem dispersed and disconnected. It's an ...
Jazz in a Changing World
by Sammy Stein
Jazz has influenced many other genres of music and, likewise, many other genres have influenced jazz from its very beginning. What is really exciting about the scene at the moment is just how much enrichment it is getting from the rest of the world. It works both ways, of course; jazz musicians from countries which have, ...
Joe Harriott Quintet: Movement / High Spirits
by Duncan Heining
Joe Harriott QuintetMovement / High Spirits Dutton Vocalion2012 (1963/1964)The acquisition, ownership and handling of a back catalogue of classic British jazz from the sixties by first Polygram and then Universal is a story of meanness and incompetence. It meant that key recordings by the likes of saxophonists Joe ...
The Beginnings of Free Form
by Sammy Stein
"Free form" is a term used to encompass a whole genre--or genres--outside mainstream jazz. Jazz has its roots in spiritual music, Dixieland, New Orleans, blues and ragtime, and after the 1940s these became fused into a catch-all assignation of genre. Jazz took on a predictability that was largely influenced not by the limitations of the players, ...
Will The Real Joe Harriott Please Stand Up?
by Duncan Heining
The Jamaican saxophhonist Joe Harriott was, without doubt, one of the most important and innovative jazz musicians to emerge in Britain in the fifties and early sixties. He arrived in Britain in 1951 with Ozzie Da Costa's band, which was en route for an engagement in Germany playing US army bases. Much to his erstwhile boss's ...
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