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Tom Keenlyside Quartet: Fortune Teller
by Jack Bowers
A jazz flutist who plans to record using only a standard three-member rhythm section as back-up should best be musically astute, technically sound, love what he (or she) is doing and harbor an ample supply of clever and interesting phrases designed to suit every occasion. Even though Tom Keenlyside checks all the boxes on Fortune Teller, ...
John Patitucci, Dick Oatts, Count Basie and More
by Joe Dimino
This week we focus on new releases and look for a unique perspective on this COVID-19 pandemic world. We hear from John Patitucci, Avram Fefer, Paul Jost and Marc Benham. This hour also features a host of legends and a special dedication to Chadwick Boseman. Playlist John Patitucci with John Beasley “Sam Rivers" MONK'estra ...
Sir Stevie: Jammin' on Stevie Wonder - Part 2
by Ludovico Granvassu
Stevie Wonder has often infused his performances with compelling renditions of jazz standards like Miles' “All Blues" or Coltrane's “Giant Steps." In return, countless jazz musicians have looked into his Songbook for compositions that would provide them with a fertile ground for their own explorations. In the second part of our “Stevie @70" ...
Results for pages tagged "Joe Farrell"...
Joe Farrell
Born:
Joe Farrell was a journeyman sax man with an impressive resume when he signed on with the CTI label in 1970, and went on to record some of the best music for that label, gaining an international audience with his release of the progressive “Moon Gems,” in 1972.
Joseph Carl Firrantello was born in Chicago Heights, Illinois on Dec. 16, 1937. He was serious about music from an early age and was playing a proficient flute by age 11. Upon graduating from University of Illinois in 1959, he headed to New York and became a freelance musician, by this time well entrenched in the bop technique of the saxophone.
Vic Juris: Tension and Release
by Victor L. Schermer
This article was first published at All About Jazz on July 28, 2009. Vic Juris is one of the premier jazz guitarists in the business today. Perhaps less known than some of his peers, he is nevertheless admired by all of them and has accumulated, since his emergence on the scene in the 1970s, ...
Jared Pauley: On Capitol Street
by Roger Farbey
Hailing from Charleston, West Virginia, but now resident in NYC, Jared Pauley's first musical experiments were with the guitar but he abandoned this in favor of piano as a teenager. His influences include Herbie Hancock, George Duke and Chick Corea and his first purchased albums were Miles Davis' Milestones (Columbia, 1958), Herbie Hancock's Headhunters (Columbia, 1973) ...
Blue Note 50th Anniversaries for March
by Marc Cohn
We're off to Van Gelder's for Blue Note sessions from March 1969, including tracks originally from the Elvin Jones LP The Prime Element with Lee Morgan, George Coleman, and Joe Farrell. And there's Blue Note #7 from 1939, as well as 21st century music that grabbed my ears. Enjoy the show. Next week: listener favorites and ...
Blue Note's Tone Poet Series
by Patrick Burnette
With CD-quality streaming a reality for those with butch internet and money to burn, and vanilla streaming the reality for almost everyone else, digital music has never seemed less collectable. Why clutter your Marie Kondo-approved home with jewel boxes when much (though heaven knows not all) of the digital catalogue is available on tap? While compact ...
CTI on BGO
by Jakob Baekgaard
"It was the best of times, it was the worst of times." The echo of Charles Dickens' famous novel A Tale of Two Cities is suitable to describe the climate of jazz when Creed Taylor launched CTI. It was 1970 and acoustic jazz was in crisis. Following the invasion of rock, it had survived by becoming ...
Various Artists: Running The Voodoo Down Volume 2
by Chris May
A raft of scholarly theories can be put forward to explain the affinities linking the genres represented on this compilation, subtitled Explorations In Psychrockfunksouljazz 1965-77. But there is a simple explanation: grass and acid, the lingua franca of the era's counterculture. True, there is only circumstantial evidence to suggest that John Coltrane and Joe Zawinul, both ...
