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David Gibson: End Of The Tunnel
by Mark Corroto
The second release for trombonist David Gibson's quartet, End Of The Tunnel, is a return to the ever popular soul-jazz genre. As with his previous disc, A Little Somethin' (Posi-Tone, 2009), Gibson and organist Jared Gold share a love for that infectious 1960s organ combo sound. This disc also continues with the same lineup, ...
Forgotten Series: Pat Martino - El Hombre (1967)
By Mark Saleski Given the fact that Pat Martino had played with some of the biggest B3 players in the business (including Jack McDuff and the great Jimmy Smith), it probably surprised no one that Martino's first solo release carried on in that blues and groove-based organ trio vein. What surprises me about this, decades later, ...
Tri-C JazzFest Cleveland 2011: Days 1-3
by Matt Marshall
Days 1-3 | Days 4-6 | Days 8-10 32th Annual Tri-C JazzFest ClevelandCleveland, OhioApril 28-May 8, 2011 Like most jazz festivals, the Tri-C JazzFest Cleveland, now in its 32nd year, features a fair share of tributes to jazz legends. Slated this time around were tributes to usual suspects Miles ...
James Polk: Recipes from the Doctor
by Josep Pedro
Pianist Dr. James Polk's musical knowledge and worldwide experience spans over more than 50 years. His style, deeply-rooted in the blues, is an example of richness and experience. Polk came up along with a group of incredible Texan musicians; jazz and blues artists like David “Fathead" Newman, Russell Jacquet, Arnett Cobb, Don Wilkerson, and Ornette Coleman, ...
The Back-Talk Organ Trio at Le Petit Chicago
by Mark Sabbatini
Don Cummings is a glacial geologist by day, making the Canadian's night job as a jazz organist of considerable interest to a reviewer who can (really) see the flowing masses of ice from the back yard. On the other hand, Cummings says his work focuses on “groundwater resources and mineral resource exploration," so ...
The Night Crawlers: Down in the Bottom
by Raul d'Gama Rose
Various shades of indigo, as in the blues, are more than suggested on Down in the Bottom, by Vancouver, Canada's The Night Crawlers. The music is crafted around the alliterative, musical hyperbole-flinging sound of the Hammond B3 organ. Cofounder Cory Weeds suggests that this is tribute to the Hammond B3 bands of the '50s and '60s, ...
Gene Ludwig: "Love Notes Of Cole Porter"
As one of the early adopters of the Hammond organ in jazz after Jimmy Smith revolutionized the instrument in the late 1950s, Gene Ludwig enjoyed the massive popularity of organ-based soul jazz during the 1960s. In those days, “organ rooms" popped up all along the East coast and Midwest, especially in the inner working-class cities like ...
Gene Ludwig: Love Notes of Cole Porter
by Dan McClenaghan
The Hammond B3 organ combo has always seemed like a working man's jazz group. Drums/guitar/organ groups, often with a saxophone, was a brand of music brought to popularity in the mid-fifties by Jimmy Smith, with interest in the B3 soul jazz sound exploding in the sixties with the work of Jimmy McGriff and Jack McDuff, and ...
Gene Ludwig: Love Notes Of Cole Porter
by Justin Vargo
Gene LudwigLove Notes Of Cole PorterBig O Records2011 Nearly two years prior to his untimely death in July of 2010, Pittsburgh organist Gene Ludwig recorded this tribute to composer Cole Porter. Thanks to the efforts of Ludwig's wife and the folks at Big O Records, Ludwig's final ...
Rusty Scott Organ Group: Cambridge, February 9, 2011
by Timothy J. O'Keefe
Rusty Scott Organ GroupRegattabarCambridge, MAFebruary 9, 2011 The cold February night, part of a long winter that dropped 60 inches of snow on Boston, didn't prevent a crowd from gathering as Rusty Scott celebrated his release of The Thrill is Gone (CD Baby, 2010). Scott, a Boston area pianist, slid away ...
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