All About Jazz

Home » Search Center » Results: Jimmy Hamilton

Results for "Jimmy Hamilton"

Advanced search options

MUSICIAN Born:

Jimmy Hamilton

Jimmy Hamilton was for a quarter-century a mainstay of jazz's most important large ensemble, the Duke Ellington Orchestra. On clarinet, Hamilton was a model of polished, cool style and substance, while his less often featured work on tenor saxophone allowed him to reveal funkier inclinations. Hamilton was hired by Ellington as the replacement for Barney Brigard in 1943, and he stayed on with the Duke until 1968. Prior to joining Ellington, he had worked with Lucky Millinder, Jimmy Mundy, and most noticeably Teddy Wilson's sextet (1940-1942) and Eddie Heywood; Hamilton also recorded “Gloomy Sunday” with Billie Holiday

ARTICLE: ALBUM REVIEW

Saxophone Summit: Street Talk

Read "Street Talk" reviewed by Chris May

Since coming together in 1999 to celebrate the late-period work of John Coltrane, the aptly named Saxophone Summit has lost only one original member. Michael Brecker passed in 2007 and was replaced by Ravi Coltrane, who has in turn been replaced by Greg Osby. The other principals, Joe Lovano and Dave Liebman, are unchanged, as is ...

ARTICLE: INTERVIEW

Matteo Pastorino: nome nuovo del clarinetto

Read "Matteo Pastorino: nome nuovo del clarinetto" reviewed by Libero Farnè

..."un clarinettista deciso e inventivo del quale risentiremo parlare." Con queste parole nell'agosto 2008 concludevo la mia recensione di Time in Sassari su questa rivista. Il clarinettista era Matteo Pastorino, allora diciannovenne, e in quell'occasione si esibiva all'interno dell'ottetto Viento Rojo, che raccoglieva i giovani più promettenti fra quelli che avevano frequentato i corsi di Nuoro ...

ARTICLE: BIG BAND REPORT

"Lone Wolf" Finds Plenty to Chew On

Read ""Lone Wolf" Finds Plenty to Chew On" reviewed by Jack Bowers

With Betty sidelined by a bad cough, it was up to me to seek out local jazz events in February, and I managed to find a couple of pretty good ones, starting February 7 at the University of New Mexico's Keller Hall where SuperSax New Mexico performed for the third time in Albuquerque. As you may ...

ARTICLE: INTERVIEW

Don Byron: Music Wikipedia

Read "Don Byron: Music Wikipedia" reviewed by George Colligan

[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ]I got my Bachelor's in Music Ed and Trumpet from Peabody Conservatory. I got my Master's in Jazz from Queens College. But I did my real graduate work playing with clarinetist Don Byron. My first gigs with Byron were playing Stravinsky ...

ARTICLE: ALBUM REVIEW

Mark Masters Ensemble: Ellington Saxophone Encounters

Read "Ellington Saxophone Encounters" reviewed by Edward Blanco

Longtime big band arranger/bandleader Mark Masters happens to be President of the Pasadena, CA-based non-profit American Jazz Institute (AJI), while baritone saxophonist great Gary Smulyan sits on its Advisory Board. Together, the two have often joined forces on musical projects intended to foster and promote jazz; Ellington Saxophone Encounters is another one of their AJI collaborations, ...

ARTICLE: ALBUM REVIEW

Mark Masters Ensemble: Ellington Saxophone Encounters

Read "Ellington Saxophone Encounters" reviewed by Dan Bilawsky

Countless albums have been made with the sole intention of honoring the great Duke Ellington by highlighting his personality, piano skills and pile of hits, but they don't tell the whole story; part of his legacy rests with the men who brought his music to life. The individuals who filled out the roster in Ellington's illustrious ...

ARTICLE: EXTENDED ANALYSIS

Johnny Hodges: Second Set

Read "Johnny Hodges: Second Set" reviewed by David Rickert

Johnny Hodges Second Set Avid Records 2011 Alto saxophonist Johnny Hodges left Duke Ellington's band in 1951 feeling underappreciated and underpaid and convinced that he would have better luck on his own. Unfortunately he was never able to turn his considerable artistry into a lucrative career, and was back with ...

ARTICLE: ALBUM REVIEW

Delfeayo Marsalis: Sweet Thunder

Read "Sweet Thunder" reviewed by Raul d'Gama Rose

Was Delfeayo Marsalis undertaking a task too challenging when he recorded music from one of Duke Ellington's most beloved albums to make Sweet Thunder? Gunther Schuller offers a doctrine that seems to suggest this has been so. Apparently the size and composition of the ensemble lead to this mishap. Would it have been remiss, to replicate ...

Duke Ellington Tames The Savage Beasts: Lions and Tigers and Bears (and Gazelles!)

Read "Duke Ellington Tames The Savage Beasts: Lions and Tigers and Bears (and Gazelles!)" reviewed by Dan Bilawsky

I begin this edition of Old, New, Borrowed and Blue with a confession. I have an unabashed love for the music of Duke Ellington. From his brilliantly scored compositions, to the singular instrumental personalities in his band(s)--with Ellington, Jimmy Hamilton and Johnny Hodges ranking at the top of my list--Ellington seems to transcend the “big band" ...


ENGAGE

Enter our contest giveaways

Contest Giveaways

Enter the Outside In Music CD and digital album giveaway. Just click a button to enter.

Contest Guidelines

Reader's Poll: Have a favorite record label or labels? Let us know.

Favorite Record Labels Poll

From legendary labels like Blue Note and Verve to independent imprints, vote for your favorites.

More Polls

Publisher's Desk

Expand your livestream audience with All About Jazz. Learn more.

MORE POSTS

Shop for Music

Start your music shopping from All About Jazz and through our retail affiliations you'll support us in the process.

MUSICSTACK
Rare vinyl LPs and CDs from over 1,000 independent sellers
AMAZON
CDs, Vinyl, Blu-Ray DVDS, Prime membership, Alexa, SONOS and more
HD TRACKS
Specializing in high resolution and CD-quality downloads
CD UNIVERSE
Specializing in music, movies and video games
REVERB
Marketplace for new, used, and vintage instruments and gear

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.