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L.A. Six: Frame of Mind
by Jack Bowers
Once upon a time ('way back in the 1970s-80s) there was the peerless L.A. Four (Bud Shank, Laurindo Almeida, Ray Brown, Shelly Manne) and now we have the L.A. Six, another hard-swinging post-bop ensemble that has chosen to walk in some rather large shoes by recording a splendid debut album, Frame of Mind. With Tom Peterson ...
Notable & Nearly Missed in 2013
by C. Michael Bailey
More music is released each year than can be realistically followed by a given writer. I typically listen to much more music than I write about, not because this music is not worthy somehow but there is so little time. So, this year, I am going to write a “Notable & Nearly Missed" column to catch ...
Jim Hall: Live, Now and Then
by Bob Kenselaar
[ This interview was originally published on July 16, 2013. ] Widely acknowledged as one of the most influential guitarists in modern jazz, Jim Hall has had an extraordinary musical career that spans more than half a century. His style is marked not by soaring speed or virtuoso technique but by his explorative artistry ...
Where The Cerebral And The Visceral Meet... Fortunes And Hat-Tricks, Vol. 2 by Mike Davis
The latest album from Tmpf Records features Mike Davis on double bass, Jacob Duncan on alto saxophone and Jason Tiemann on drums. All songs were spontaneously composed by the trio utilizing two compositional concepts created by Davis. The first he calls “Fortunes," and the second he calls “Hat-tricks." “Fortunes" is a spontaneous compositional concept based on ...
The Splendor: Delphian Palace
by Florence Wetzel
Probably it's best for jazz writers to paraphrase press releases, but sometimes the wording is too good to tamper with. For instance: “The Splendor is a jazz quartet with antennae out, claws in, and a tireless interest in all the small details of the music that transform each concert into its own universe." It's a marvelous ...
The Depaul University Jazz Ensemble: Salutes Woody Herman
by Jack Bowers
Were he still with us, bandleader Woody Herman would have turned one hundred years young on May 16, 2013. What better way, then, to mark the occasion than by doing something that made “the Chopper" happier than anything else: swinging hard and often. Chicago's DePaul University Jazz Ensemble does precisely that on this superb album comprised ...
Four Artists Of The Jazz Clarinet Renaissance
by Dan Bilawsky
Since the jazz clarinet never really died, renaissance--or rebirth--may not be the term that best describes what's happening to the instrument in the twenty-first century jazz universe; it is, however, a pretty good one word synopsis. The licorice stick was there at or near the start, tooting along next to the trumpet and ...
Rotem Sivan: Enchanted Sun
by Chris May
Is this destined to be one of the great undiscovered albums of the year? Released with little fanfare on Steeplechase's Lookout strand back in June, Enchanted Sun has picked up precious few reviews. Maybe it is just the summer slumber. Let us hope so, for the debut recording from Israeli-born, New York-based guitarist Rotem Sivan and ...
Darryl Harper: The Edenfred Files
by C. Michael Bailey
Clarinetist Darryl Harper has five previous recordings to his credit (all released on HipNOTIC) and has had precious little coverage at All About Jazz. A longtime member of violinist Regina Carter's band, Harper has been chipping away at the edges of hard bop and post-bop since his 2001 recording, The Onus: Recurring Dream. At first blush, ...
Russell Schmidt: Anachromysticism
by C. Michael Bailey
Pianist/composer Russell Schmidt takes acoustic jazz right to the edge of where it is supposed to be. Intelligent, melodic, and harmonically grounded, Schmidt's sound is fresh and invigorating. Schmidt is a faculty member at the School of Music, University of Utah. Anachromysticism is his second recording, following 2007's Season Of Change (Orchard Records). Where Season Of ...
