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Jordan Young Group: Jordan Young Group
by Chris Mosey
At best, the Jordan Young Group cooks like one of those hard bop organ-led outfits of the 1960s. At worst it PiNGs. The “PiNGs" are short clips from a long improvisation, credited on the sleeve as a composition by its initiator, organist Brian Charette, who calls it “a song with no consequences." Young says, “I felt ...
Take Five With Michael Arlt
by AAJ Staff
Meet Michael Arlt:Appearing on numerous concert tours, festivals and CDs since 1986, guitarist Michael Arlt has been working with an expanding group of international musicians, including Red Holloway, Paquito D`Rivera, Houston Person, Dan Kostelnik & We Three, José Cortijo, Luciano Biondini, Tony Lakatos, Mathias Ruegg, Adrian Mears,Jon Sass, Portinho Trio: Klaus Mueller, Itaiguara Brandao, ...
Take Five With Boris Kozlov
by AAJ Staff
Meet Boris Kozlov: Currently serving as a bassist, arranger and Musical Director for the Mingus Big Band, Mingus Dynasty and The Orchestra, as well as leading his own projects, he has also been a first-call bassist for such important jazz acts as Michael Brecker, John Blake, Ray Barretto's New World Spirit, Lew Tabackin, David Kikoski, Alex ...
Wes Montgomery, Soulive and the Beatles: Bending Time
by Chris May
Two albums by guitar/organ trios would seem, on the face of it, to be prosaic enough propositions. And musically, guitarist Wes Montgomery's Boss Guitar, newly remastered, and Soulive's Rubber Soulive, recorded in 2010, are indeed straightforward affairs. But consider them together, and a cluster of time warps emerge, as 47 years of age difference shrink and ...
Eric Felton: Seize the Night
by C. Michael Bailey
Eric Felten's Seize the Night is a throwback to the tradition of Jack Teagarden, that has carried forward through Wycliffe Gordon and Vincent Gardner; that is, the tradition of the singer-trombonist. A talented songwriter, Felten, is also quite the instrumentalist in composing and performing, as evidenced by his original ,"Three-Martini Lunch." More swing ...
Jimmy Cobb and the Kind of Blue Sessions
It's eerily appropriate, in a way—Jimmy Cobb is the only musician missing from the photos of the famous “Kind of Blue" recording sessions that decorate his bedroom. He's also the last one still living, a fact he's reminded of every day he awakens and sees his old friends staring back at him—jazz legends John Coltrane and ...
Vic Damon, 30th Street Studio, Village Vanguard
by Sean Dietrich
The oft forgotten recording studio. It's humble presence remains under-acclaimed. Electric lights suspended high above a giant mess of cables. Omniscient microphones standing tall, appraising the heart of arrogant musicians who approach. Scribbled papers rest on music stands, while heated brawls are incubated among hot headed horn players. This is where music is born. And yet ...
Peter Bernstein: Live at Smalls
by William Carey
A live recording from an intimate venue--in this case, the well-respected Greenwich Village club, Smalls--is like comfort food.. Live at Smalls, from guitarist Peter Bernstein, doesn't disappoint, starting off with a blues to welcome everyone in, with solid solo turns from all members of the quartet, also including pianist Richard Wyands, bassist John Webber and drummer ...
Orlando le Fleming: From Brooklyn With Love
by Bruce Lindsay
British-born bassist Orlando le Fleming moved to New York in 2003 and has established himself as a sideman to a host of top-flight musicians including Billy Cobham, Jimmy Cobb and David Sanchez. From Brooklyn With Love is le Fleming's debut as leader--a live album of his original compositions, recorded at Freddy's Backroom in Brooklyn in late-November ...
Fred Anderson: Black Horn Long Gone
by Francis Lo Kee
Fred Anderson is one of today's most powerful and singular saxophonists. Recorded in 1993, this trio (with bassist Malachi Favors and drummer Ajaramu--aka AJ Shelton--who have both since passed away) flies blissfully to new heights for piano-less sax trios. To call Anderson a member of the free jazz movement produces an incomplete picture. His technical facility ...
