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Jeff Kaiser / Kronomorphic / Keneally-Minnemann-Beller: San Diego, March 11, 2011
by Robert Bush
Jeff Kaiser / Kronomorphic / Keneally/Minnemann/BellerPorter's Pub, UCSDSan Diego, CAMarch 11, 2011 The Friday, March 11 show at Porter's Pub, organized by UCSD promoter Brian Ross, was a wild, kaleidoscopic affair. Featuring two Southern California-based creative improvising exponents with a rock-fusion headliner represented a certain degree of risk: would the ...
Scott Henderson Trio: Bangkok, Thailand, March 18, 2011
by Ian Patterson
Scott Henderson TrioMello YelloBangkok, ThailandMarch 18, 2011 The Scott Henderson Trio crowned an impressive inaugural fortnight at Mello Yello, with an electrifying performance in front of a small but appreciative audience. With jazz clubs few and far between in Bangkok, the opening of Mello Yello at RCA, in the clubbing heartland ...
Native Soul: Soul Step
by Greg Simmons
Native Soul Soul Step is a stylistically coherent and well executed effort. The quartet--a classic keyboards, saxophone, bass and drums lineup--plays mostly straight-ahead, but adds enough instrumental and musical variation to keep it fresh throughout. Keyboardist Noah Haidu is the collective's founder, and is the source of a good portion of the music's diversity. ...
Magnus Ostrom: Late Night Playing, Humble Playing
by Bruce Lindsay
As the drummer with the Esbjörn Svensson Trio (e.s.t.) Magnus Öström became one of the most successful European jazz musicians of the last twenty years. Influenced by a range of musics, his percussion style was a key element of the band's distinctive sound, while the Trio's success over the 15 years of its existence brought it ...
Bertram Turetzky: Contrabass Pioneer
by Robert Bush
Contrabassist Bertram Turetzky's career is nothing short of extraordinary. He almost single handedly redefined the role of the bass in 20th Century classical music, from one of back row support to that of featured and celebrated soloist. Even within the confines of classical music, Turetzky's range is huge: he is a master of early, pre- Bach ...
Matt Haimovitz: Rare Birds
by Ian Patterson
It's a fairly audacious idea for a cello octet to interpret the music of jazz icons such as bassist Charles Mingus, trumpeter Miles Davis and saxophonist Ornette Coleman, never mind the Mahavishnu Orchestra, but clearly, as seen on the compelling Meeting of the Spirits, cellist Matt Haimovitz loves a challenge. Challenge is something he's used to, ...
Scorch Trio: Melaza
by John Kelman
Human nature may tend towards resisting change, but shaking up a group--even one with a longstanding and successful lineup--can sometimes drive the music in subtly different directions. Losing Norwegian drummer Paal Nilssen-Love may have seemed like a blow change for Scorch Trio, but recruiting Frank Rosaly--who moves around in the same circles as Nilssen-Love, playing with ...
Wadada Leo Smith: The Teacher
by Franz A. Matzner
Wadada Leo Smith's career as a creative musician spans more than forty years. The trumpeter/composer's myriad accomplishments have been well-documented, particularly recently, as his recoding and performance career have undergone a marked renaissance, the success of which has shown a spotlight not only on his recent undertakings, but also inspired a reexamination of his past works.
Yo Miles! Revisited: Lightning and Shinjuku
by John Kelman
Amongst the plethora of tributes to trumpet icon Miles Davis' electric period on Columbia, beginning with 1969's In a Silent Way and ending with 1975's Agharta and Pangaea, only a few stand out as being truly reverential--not just to the electrified energy and jungle funk of the music, but to its undeniably avant leanings as well. ...
Ingrid Laubrock’s Anti-House: London, UK, January 18, 2011
by John Sharpe
Ingrid Laubrock's Anti-HouseVortex Jazz ClubLondonJanuary 18, 2011 If music could be said to resemble a puzzle, then German saxophonist Ingrid Laubrock's Anti-House might be described as the sonic equivalent of a Sudoku. You know all the numbers fit somewhere and that there is logic behind it, but it just escapes comprehension ...
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