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Braxton Brothers: Higher
by Jim Trageser
It's interesting how certain musical styles become punching bags for the critics. Disco grew out of R&B and funk in the mid-1970s--yet by 1979 it was so despised in many quarters that the Chicago White Sox had a near-riot on their hands when they opened Comiskey Park for “Disco Demolition Night" during a double-header against the ...
Helen Sung: Celebrating Monk
by Jim Trageser
The first weekend in April will see the opening of a monthlong, three-venue celebration of Thelonious Monk at Jazz at Lincoln Center, the third installment of their annual Monk festival. It all starts Thursday evening (April 5) with Chick Corea sitting in for three nights with the Jazz at Lincoln Center Orchestra with Wynton ...
Various Artists: Stax Singles, Vol. 4: Rarities & Best of the Rest
by Jim Trageser
Stax Records defined the “Memphis Sound" of soul music in the 1960s. With a roster that took in Otis Redding, Booker T & The MGs, Sam & Dave, Rufus Thomas and Isaac Hayes, Stax and its sister label Volt provided the main competition to Motown as a home to classic soul acts. Three separate ...
Al Jarreau holds forth on the art of singing, the decline of radio and the glory of the great American songbook
by Jim Trageser
Note: This interview with Al Jarreau was originally published in 2004 on Turbula.net. Any doubts that Al Jarreau was born to sing are quickly dispensed with by a simple conversation with the man--he is incapable of holding forth on the topic of music without dipping into the subject at hand. Not ten ...
Enoch Smith Jr.: The Quest: Live at the A.P.C.
by Jim Trageser
The Church has long been a cornerstone of African-American cultural identity, as well as musical inspiration. Gospel is the third leg of African-American music, coming of age alongside jazz and blues in the early part of the 20th Century. Pianist Enoch Smith Jr. has managed to keep feet in two of those worlds. As ...
Man of the World: The Peter Green Story
by Jim Trageser
Peter Green Man of the World: The Peter Green Story Henry Hadaway Organization 2016 In an age when a junior high school rite of passage for budding adolescents remains discovering the great blues- rock guitarists of their grandparents' generation, arguing the relative merits of Jimmy Page vs. Eric Clapton (and ...
Hentoff helped pave way for jazz journalism’s acceptance
by Jim Trageser
Nat Hentoff's passing last week left me feeling, well, old. Whenever we lose a mentor--a grandparent, a teacher, someone who encouraged us--it's a reminder of our own mortality, that we are, in the parlance of football coaches, the next ones up. I don't feel anywhere near to ready or worthy or capable of assuming ...
A giant of jazz journalism silenced
by Jim Trageser
Nat Hentoff was an old-school intellectual whose favorite topic—whose very touchstone—was, throughout his life, jazz. At one point in the 1990s, Hentoff—who passed of natural causes on Jan. 7—announced that he was giving up writing about jazz to focus on topics that seemed more critical—free speech and civil liberties, which he felt were under ...
Ian Faquini e Paula Santoro: Metal Na Madeira
by Jim Trageser
For most of us in the United States, mentioning “Brazil" in a musical conversation connotes bossa nova or samba--which is a bit like describing all American music as blues or country. Expertise in the music of Brazil is the work of a lifetime; much as with the United States, each region has its own ...
Ivo Perelman: The Art of the Improv Trio
by Jim Trageser
For the last few centuries, the avant-garde movement has taken for itself the role of challenging preconceived notions of what is acceptable in music, in poetry, in the visual arts. This challenge has, for the most part, consisted of violating accepted rules in order to provoke discussion about the validity of those norms. In ...
