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170

Article: Album Review

Paul Dunmall Moksha Big Band: I Wish You Peace

Read "I Wish You Peace" reviewed by Jerry D'Souza


When Paul Dunmall turned fifty in 2003, the BBC stepped in with the gift of a recording with his big band. Dunmall takes his bandmates from Mujician, Keith Tippett, Tony Levin, and Paul Rogers, and he expands the rhythm section and the front line. The result is an exhilarating album that gets its adrenaline from the ...

160

Article: Album Review

Onaje Allan Gumbs: Remember Their Innocence

Read "Remember Their Innocence" reviewed by Jerry D'Souza


Onaje Allan Gumbs took his wide experiences as a musician into the studio for his latest recording and came up with a winning combination in Remember Their Innocence. There is strong testimony to his passion for jazz, just as there is for the blues, some soul, a Brazilian tune, and a bit of what is known ...

156

Article: Album Review

The Revolutionary Ensemble: And Now ...

Read "And Now ..." reviewed by Jerry D'Souza


The recordings the Revolutionary Music Ensemble made in the '70s were adventurous and daring. Having stamped their credentials, the members of the group went their separate ways before that decade came to a close and pursued individual careers. Now, more than twenty years after their groundbreaking recording of The People's Republic, they stir the waters once ...

121

Article: Album Review

Avery Sharpe Trio: Dragon Fly

Read "Dragon Fly" reviewed by Jerry D'Souza


Avery Sharpe is probably best known as the bassist in the McCoy Tyner trio. But he should be known as a remarkable leader and composer with some notable releases to his credit. If that latter trait has been overlooked to an extent, now is the time to stop and pay attention. Sharpe's new trio recording is ...

218

Article: Album Review

Geoff Young Trio: In Between

Read "In Between" reviewed by Jerry D'Souza


From the time the first notes ring out on In Between, Geoff Young makes manifest his cogent sense of space and time. This attribute stands him well as he creates dazzling sonic portraits playing acoustic guitar, his fingers the messengers of his eloquence. Helping him colour the canvas of his imagination are bassist Jim Vivian and ...

102

Article: Album Review

Jim Cifelli: Groove Station

Read "Groove Station" reviewed by Jerry D'Souza


After three nonet albums, Jim Cifelli has moved away from his “little big band" in order to get into another groove. He does this on Groove Station with a septet, a change of instrumentation, and a clear idea of the direction he is headed. That direction is funk, and while the grooves reverberate with the pulse, ...

84

Article: Album Review

Kakalla: The Seeds of Analog Rebellion

Read "The Seeds of Analog Rebellion" reviewed by Jerry D'Souza


Mixing ingredients in a cauldron and coming up with the appetizing can yield a work of art. Thomson Kneeland, the leader and bassist of Kakalla, succeeds admirably in bringing together chamber music, European music, and a bit of rock with a compact jazz sensibility into a remarkable whole that at once grabs attention and draws the ...

402

Article: Extended Analysis

Cecil Taylor Unit: One Too Many Salty Swift And Not Goodbye

Read "Cecil Taylor Unit: One Too Many Salty Swift And Not Goodbye" reviewed by Jerry D'Souza


Cecil Taylor Unit One Too Many Salty Swift And Not Goodbye Hatology 2004 (1978) It seems to me that what music is, is everything that you do. Those words from pianist Cecil Taylor, in the documentary Imagine The Sound , are a pointer to his craft. A little ...

367

Article: Film Review

Al Di Meola: Live at Montreux 1986/1993

Read "Al Di Meola: Live at Montreux 1986/1993" reviewed by Jerry D'Souza


Al Di Meola Live at Montreux 1986/1993 Eagle Eye Media 2004 Al Di Meola has been a contrast in terms of music. He has taken his guitar into various streams with different levels of success. His playing has been marked with a gentle lyrical air just as it has been ...

104

Article: Album Review

Sfq: Four Compositions

Read "Four Compositions" reviewed by Jerry D'Souza


Composition and structure, improvisation and the use of space, time gathered and broken down, music notated and musicians given the leeway to go beyond. Simon H. Fell makes use of these and other concepts like the works of Pierre Boulez. From this amalgam rises his music, often with a slow deliberation, at times with emphasis, at ...


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