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Results for "Jerry D'Souza"
Mario Pavone Sextet: Deez to Blues
by Jerry D'Souza
If Mario Pavone were to be greeted with a fanfare of trumpets in celebration of the forty years he has been moulding music into inventive and challenging celebrations, he would probably look for bass and drums to ring the brass. Pavone is known to get the rhythm section out in front, and he continues to do ...
Carlos Barbosa-Lima: Carioca
by Jerry D'Souza
Carlos Barbosa-Lima has the ability to enrich a song with remarkable grace. He makes each one sing eloquently, bringing out its inherent beauty, not hurrying his passage as he lights a spark underneath. While his technique is undeniable, his creativity is the trump card. Barbosa-Lima's choice of tunes on Carioca is judicious. He draws ...
Ran Blake: All That Is Tied
by Jerry D'Souza
Ran Blake is still spry at 70. The pianist's thoughts are as fertile as one could ever wish them to be, and he makes fulsome use of them as he enunciates with authority on All That Is Tied, a solo recording made forty years after his first album. Time has not stilled his passion; it still ...
Bonnie Bramlett & Mr. Groove Band: Roots, Blues & Jazz
by Jerry D'Souza
Bonnie Bramlett is back. She is best remembered for the music she made during the sixties and the early seventies with her husband Delaney. Their brand of the blues was good enough for them to open for Blind Faith and draw the likes of Dave Mason, Leon Russell and Eric Clapton to play with them. Times ...
Duduka Da Fonseca: Samba Jazz in Black & White
by Jerry D'Souza
Duduka Da Fonseca, perhaps best known as a founding member of Trio Da Paz, avers that he has been blending samba with jazz all his life. He showcased this in 2002 when he led a fine band of musicians on Samba Jazz Fantasia (Malandro Records) and directed a whole new load of listeners in the direction ...
Erik Friedlander: Prowl
by Jerry D'Souza
The seeds for Topaz were sown in 1996 when Erik Friedlander was scoring the dances for his wife, Lynn Shapiro's New York show, which he later performed with Andy Laster and Stomu Takeishi. There was enough empathy between them to inspire Friedlander to write some new tunes. But there was something missing: they needed more rhythmic ...
Ben Goldberg Quintet: The Door, The Hat, The Chair, The Fact
by Jerry D'Souza
Ben Goldberg returns after a seven-year absence from recording with one for Steve Lacy. Goldberg wrote the music in 2004 when he came to know that the soprano saxophonist had cancer. The album was recorded three days after Lacy died. Lacy's Blinks is in a state of constant flux. Goldberg's clarinet breaks up the lines, but ...
Charles Gayle: Time Zones
by Jerry D'Souza
If Charles Gayle had not already made a piano recording (Jazz Solo Piano, Knitting Factory, 2000), this one would have come as a more of a surprise. To repeat what has been said often enough, Gayle is best known as a saxophonist whose horn spews molten lava. But his first love was the piano. And while ...
Paul Shapiro: It's In The Twilight
by Jerry D'Souza
The blessings of the sabbath were clearly upon Paul Shapiro when he wrote the music for and recorded this album. On Midnight Minyan, his first record as a leader, he dwelt on Saturday mornings and the Jewish tradition. This time he turns back the clock to Friday evenings and the glow of twilight that the sabbath ...
Chantal Chamberland: Dripping Indigo
by Jerry D'Souza
Chantal Chamberland has a warm, toasty voice that can light up a dark nightclub and send a glow through her audience. She makes her third recorded outing on Dripping Indigo with a generous helping of songs, most of which dwell in areas that suit her pitch and trajectory perfectly. She gives the up-tempo tunes a nice ...





