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120

Article: Album Review

Chris Gestrin: After the City Has Gone: Quiet

Read "After the City Has Gone: Quiet" reviewed by Jerry D'Souza


Back in 2004, Chris Gestrin (piano, prepared piano, percussion) went into a studio in Vancouver to record his music. He had a dream and he wanted to realize it with musicians that he had long wanted to play with and those that had made a mark on the improvised music scene. Some of it was written, ...

271

Article: Album Review

Brad Goode: Nature Boy

Read "Nature Boy" reviewed by Jerry D'Souza


Trumpeter Brad Goode brings a mixed bag to this recording. He set his sights on pop tunes from the past and the present, jazz standards, a Latin tune as well as his own work. They serve him well. He dips in and brings out the nuances and the range, turning this into a recording well worth ...

311

Article: Album Review

Hendrik Meurkens: Sambatropolis

Read "Sambatropolis" reviewed by Jerry D'Souza


Playing the vibes and the harmonica is a rather unusual combination. Hendrik Meurkens was drawn to these instruments after he heard Lionel Hampton play the vibraphone on Benny Goodman's Live at Carnegie Hall (Columbia, 1938) and, a few years later, the harmonica of Toots Thielemans. Even as he emerged as an adept player of ...

219

Article: Album Review

The Claudia Quintet: For

Read "For" reviewed by Jerry D'Souza


The Claudia Quintet has been evolving and shaping its music, creating a potent and forceful presence. They do it with graceful finesse; working the elements to let melody get its due and improvisation mark its presence. Think of the quintet as a minstrel of joy and the charm of their music becomes apparent. Theirs is a ...

128

Article: Album Review

Richard Underhill: Kensington Suite

Read "Kensington Suite" reviewed by Jerry D'Souza


Alto saxophonist Richard Underhill fires up a tribute to Kensington Market, his trendy Toronto neighborhood, on this set of ten tunes. Kensington Suite finds Underhill in inspired form, as he goes across a wide band of styles and settles them into the mainstream with finesse. With a band that is tight and creative, the CD is ...

150

Article: Album Review

Kevin Clark: Zahara

Read "Zahara" reviewed by Jerry D'Souza


Kevin Clark, who plays piano, flugelhorn and trumpet, is a man of varied musical persuasion. Besides playing solo piano, he has a trio, a Dixieland band (The Dixie Dudes), and a Latin band (Los Gringos). The last is acknowledged as the leading Latin Band in New Zealand, Clark's native land. Clark has an abiding ...

298

Article: Album Review

Andy Rothstein: Voodoo Tone

Read "Voodoo Tone" reviewed by Jerry D'Souza


Andy Rothstein has been playing the guitar for twenty-five years, as a sideman in rock bands and as leader of Mary's Magnet. His current perspective, however, captures a wider range as he brings in rock, country and Latin music to his beat. Rothstein's aim is well served. His dexterity and technique on the guitar ...

209

Article: Album Review

Loren Stillman: Blind Date

Read "Blind Date" reviewed by Jerry D'Souza


A blind date can be risky, cause apprehension and kindle a sense of adventure. Anticipating Loren Stillman's foray into his own Blind Date stirs all those feelings. Stillman has been inspired by jazz as he has with classical music. His compositions reflect both streams, and his narratives are eloquent. He brings in ...

230

Article: Film Review

Marvin Stamm Quartet: Alone Together

Read "Marvin Stamm Quartet: Alone Together" reviewed by Jerry D'Souza


The Marvin Stamm Quartet Alone Together Jazzed Media 2007 CD/DVD packages are still relatively unusual, but then the musicians responsible for this one are not your usual collection of players. Marvin Stamm (trumpet and flugelhorn), Bill Mays (piano), Rufus Reid (bass) and Ed Soph (drums) are a positive ...

240

Article: Album Review

Various: New Orleans Brass

Read "New Orleans Brass" reviewed by Jerry D'Souza


Marching bands are an integral part of New Orleans. Where would a parade be without one, or for that matter a funeral? No matter what the role is, they bring in a special magic and joy. Music evolves as it imbibes and imbues other genres. Marching bands were no exception, as they pulled in ...


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