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419

Article: Album Review

Jenny Scheinman: Crossing the Field

Read "Crossing the Field" reviewed by John Kelman


With the release of the singer/songwriter-driven Jenny Scheinman (Koch, 2008), violinist Jenny Scheinman entered new territory as a vocalist. Crossing the Field, released the same day in digital download-only form (a hard CD version will be released September 9, 2008, also by Koch), expands on the forward motion of 12 Songs (Cryptogramophone, 2005) with an even ...

258

Article: Album Review

Jenny Scheinman: Jenny Scheinman

Read "Jenny Scheinman" reviewed by John Kelman


Those only familiar with Jenny Scheinman's two discs for Tzadik--The Rabbi's Lover (2002) and Shalagaster (2004)--may be taken aback by the violinist's leap into singer/songwriter turf on Jenny Scheinman. Others who've followed her work with Americana-centric guitarist Bill Frisell on albums including the sample-rich Unspeakable (Nonesuch, 2004) and the more compositionally focused History Mystery (Nonesuch, 2008) ...

477

Article: Profile

Jenny Scheinman: Ready for Anything

Read "Jenny Scheinman: Ready for Anything" reviewed by Celeste Sunderland


Something cosmic occurred while violinist Jenny Scheinman and guitarist Bill Frisell were in the studio last June recording Lucinda Williams' new album. While listening to the playback of a song called “Where Is My Love they locked eyes and simultaneously tapped a finger to their foreheads. “It was this mutual experience of hearing a sound we ...

1

Article: Interview

Le mille corde del violino di Jenny Scheinman

Read "Le mille corde del violino di Jenny Scheinman" reviewed by AAJ Italy Staff


Di R.J. DeLuke Una violinista dallo stile e dai gusti eclettici si sta ritagliando uno spazio tutto suo nel panorama musicale mondiale o, se preferite, nel mondo del jazz. Jenny Scheinman (cresciuta in una zona rurale della California ma da tempo stabilitasi nella Grande Mela) è letteralmente piena di musica ma è anche determinata, come i ...

1,063

Article: Interview

Jenny Scheinman: Touching Many Strings

Read "Jenny Scheinman: Touching Many Strings" reviewed by R.J. DeLuke


Jenny Scheinman, a violinist of eclectic style and taste, has been coming into her own in the music world; the jazz music world, if you will. This young woman, raised in an ultra rural section of California, now imbedded in the Big Apple, is full of music. She's also down to earth, and so are the ...

Album

12 Songs

Label: Cryptogramophone
Released: 2005
Track listing: The Frog Threw His Head Back and Laughed; Song of the Open Road; Moe Hawk; Sleeping in the Aquifer; The Buoy Song; She Couldn't Believe It Was True; Suza; Little Calypso; Satelite; Antenna; Albert; June 21.

41

Song of the Day

Song of the Open Road

Album:
By
Label: Cryptogramophone
Released: 2005
Duration: 5:00

169

Article: Album Review

Jenny Scheinman: 12 Songs

Read "12 Songs" reviewed by Michael McCaw


12 Songs is an album of imagination above all else. Like her frequent employer Bill Frisell (whom she employs here), Jenny Scheinman composes vignettes that frame a world for listeners to find comfort, not just through its distant familiarity, but with enough imaginative angularity to convert the most common hue of blue into a feathering peacock's ...

155

Article: Album Review

Jenny Scheinman: 12 Songs

Read "12 Songs" reviewed by Sean Patrick Fitzell


The beguiling melodies draw listeners in. The lush instrumentation, evoking the parts of an orchestra, and vibrant ensemble playing hold their attention. Beautiful tunes with hints of humor and dedicated, unselfish performances coalesce on 12 Songs. The results satisfy deep, repeated listens and remain accessible enough to appeal to a wide audience without pandering.

205

Article: Album Review

Jenny Scheinman: 12 Songs

Read "12 Songs" reviewed by Jerry D'Souza


Jenny Scheinman has a gift for writing evocative music. She explores different genres and comes up with an interesting take on each, drawing the listener into the core of its spirit. There is more to this music than just the compositions. The musicians forge their own atmosphere, each divining the play in extrapolating the base. And ...


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