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447

Article: Old, New, Borrowed and Blue

Taken with Terrasson

Read "Taken with Terrasson" reviewed by Dan Bilawsky


While reading reviews about the 2010 Winter Jazzfest in New York City, I experienced a sensory overload, despite the fact that I hadn't even been in attendance. The list of musicians that performed at the event seemed too good to be true, as did many of the reviews, so I vowed to check it out for ...

587

Article: Live Review

Winter Jazzfest, New York City, Day 1: January 7, 2011

Read "Winter Jazzfest, New York City, Day 1: January 7, 2011" reviewed by Gordon Marshall


Day 1 | Day 2 Winter JazzfestNew York, NYJanuary 7-8, 2011 What with the snow, the lines, the standing-room-only crowds, New York City's Winter Jazzfest can be a hectic, hectoring hell of force-feeding, a speed-read tasting menu of mad musical difference, as hard to digest in the instant ...

330

Article: From Far and Wide

Smalls Jazz Club: Live and So Much More

Read "Smalls Jazz Club: Live and So Much More" reviewed by Mark Corroto


After a few minutes talking with pianist Spike Wilner, Charlie Parker's quote about authenticity in music comes to mind: “If you don't live it, it won't come out of your horn..." Actually, the entirety of Bird's thoughts best captures the art of Spike Wilner. Bird goes on to state: “They teach you there's a boundary line ...

199

Article: Album Review

Tarbaby: The End Of Fear

Read "The End Of Fear" reviewed by Dan Bilawsky


Virtually every musician deals with fear at one time or another. Perhaps it comes with a first opportunity to perform in an ensemble, or maybe it arrives when first taking flight and leaving the relative comforts of written music, searching for an elusive sound through an improvised medium. Regardless of when it happens, performers have to ...

285

Article: Album Review

Tarbaby: The End Of Fear

Read "The End Of Fear" reviewed by Bruce Lindsay


A band name that some might see as confrontational--although the band denies this--an album title that could be wildly optimistic, a statement of faith or simply ironic; some of the fieriest jazz players on the scene and a scary Hieronymus Bosch-style cover design. What kind of music might emanate from such a combination? Free form, loud, ...

253

Article: Album Review

Patrick Cornelius: Fierce

Read "Fierce" reviewed by Dan Bilawsky


Fierce isn't the most inviting album title in the world. People with a penchant for gauging albums based on single-word descriptors could be scared off here, but they'd be missing out on some bold performances that are creative and, yes, occasionally fierce. Some of the most striking music coming out these days seems ...

140

Article: Album Review

David Weiss & Point Of Departure: Snuck In

Read "Snuck In" reviewed by Dan Bilawsky


Trumpeter David Weiss was way ahead of his time when he brought together a group of forward-thinking musician-composers to form the New Jazz Composers Octet in 1996. This group--and the writing that was born from within its ranks--received positive critical response from the get-go, and foreshadowed the rise in collective-type situations throughout the jazz community. While ...

608

Article: Live Review

T.C. the 3rd: A Diamond in the Rough

Read "T.C. the 3rd: A Diamond in the Rough" reviewed by Leonard Epstein


T.C. the 3rdSt. Nick's PubHarlem, NYSeptember 5, 2010 Known among jazz insiders for well over five years, T.C. the 3rd has been leading his weekly Harlem Jazz Vocalist Workshop at St. Nick's Pub each Sunday. St. Nick's, located at 149th and St. Nicholas Ave, is one of the last “juke ...

237

Article: Live Review

The Cookers and the Vijay Iyer Trio, at Charlie Parker Jazz Festival 2010

Read "The Cookers and the Vijay Iyer Trio, at Charlie Parker Jazz Festival 2010" reviewed by Ernest Barteldes


Charlie Parker Jazz FestivalTompkins Square ParkNew York, NYAugust 29, 2010After a blistering blues-based set by New York-based singer Catherine Russell, the 7-piece hard-bop ensemble The Cookers (Billy Harper: tenor sax; Eddie Henderson and David Weiss: trumpets; Craig Handy: alto sax and flute; George Cables: piano; Cecil McBee: bass and Billy Hart: ...

322

Article: Album Review

David Weiss and Point of Departure: Snuck In

Read "Snuck In" reviewed by Raul d'Gama Rose


The term “hipster," although appropriated to everyday use from slang and rarely used today, has a special connotation in music--especially the jazz idiom. It is a dusky, almost nocturnal word, and it has made way for new epithets that stream from rap and hip-hop, but no matter what it describes, it's always someone with certain, unmistakable ...


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