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Bobby Jaspar: Club St. Germain
\For me, the only tenor saxophonist who rivals Stan Getz in tone, improvisation and phrasing is Bobby Jaspar. The Belgian saxophonist and flutist had a singular cool approach and, like Getz, loved the high register of his instrument. In 1955, on December 27 and 29, Jaspar and his All Stars were recorded at Club St. Germain, ...
YouTubers Dig Chet Baker
Every so often, I come across talented kids on YouTube playing the music of favorite jazz artists on their instruments. Either they're playing transcriptions of artists' solos or they're playing along to their records. What unites them is a clear passion for the music's beauty. In the past, I've featured kids playing pianist Red Garland and ...
Soho Scene '66 and '67
This just in from London: A smashing extension of the British jazz “Soho Scene" series from the U.K.'s R&B Records. I last posted on the series here. The new four-CD, 78-track box set is entitled Soho Scene '66 and '67: Jazz Goes Mod and comes with a superb 32-page booklet and liner notes by tenor saxophonist ...
The Giants of Jazz, 1972
In July 1972, when I was 15, I boarded a commuter train at the Croton-Harmon station near my family's house and traveled an hour south to New York City and Carnegie Hall to see the Giants of Jazz. The ensemble was appearing as part of the Newport Jazz Festival. The supergroup was conceived by George Wein, ...
Marvin Stamm on Bernie Glow
In the recording studios of the 1950s, '60s and '70s, trumpet players had specialties. Like baseball batters and Old West gunslingers, top trumpeters in the horn sections of big bands and pop orchestras became distinguished for a particular style. Each of the four trumpet seats were occupied by players known for acing notes and nuances in ...
Documentary: Jazz Flute
Long the mainstay of classical ensembles and orchestras, the flute crossed over to jazz earlier than most people think. It first turned up in ragtime orchestras and marching bands of the late 1800s. Then it was buried in jazz bands for accents or novelty purposes in the 1920s. Crowded out by the clarinet in dance bands ...
Ira Sullivan: Blue Stroll
Ira Sullivan, a trumpeter and saxophonist who played in Chicago in the 1950s and Miami in the 1960s and beyond, recording largely with Red Rodney and Lin Halliday, died September 21, 2020. He was 89. Among his finest albums as a leader was Blue Stroll. Recorded for Chicago's Delmark label in July 1959, Blue Stroll featured ...
Barney Wilen and Donald Byrd
In the summer of 1958, the Donald Byrd Quintet arrived in Paris to play at the Au Chat Qui Peche, a Left Bank jazz club. Also that summer, French saxophonist Barney Wilen was approached by film producer Sandro Bocola, who had an idea. In December 1957, Wilen had recorded with Miles Davis on the soundtrack to ...
Dave Schildkraut: Key Ingredient
Alto saxophonist Dave Schildkraut didn't record on a bad album. Except perhaps his own leadership session, at the tail end of his recording career in 1979. By then, he sounded coarse and tapped out. But if you look through his discography and listen to the recordings, the New York jazz session player managed to draw only ...
Henri Salvador, Part 2
Yesterday, I posted on French singer-entertainer Henri Salvador and his career up until his semi-retirement at age 78 in 1995. Today, I'm posting about one of pop's most startling comebacks topped only by Tony Bennett's. This rebound also featured Salvador's passion for Brazil. First, let's look at his first visit to the South American country. On ...


