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116

News: Recording

Stan Getz on Clef and Norgran

Stan Getz on Clef and Norgran

On Friday, November 14, 1952, tenor saxophonist Stan Getz caught a break. The demand for tickets to a Carnegie Hall concert celebrating Duke Ellington's 25 years in the music business was so strong that a second midnight show had to be added. Fortunately for Getz, he was given a 40-minute slot on stage in each of ...

44

News: Interview

Nancy Wilson on Shearing

Nancy Wilson on Shearing

I am particularly fond of The Swingin's Mutual, the album that singer Nancy Wilson recorded with the George Shearing Quintet in June 1960. Her six tracks with Shearing represented a crisscrossing over at the time for both artists. For Nancy, being accompanied by just Shearing's group rather than a big orchestra created a special intimacy that ...

160

News: Interview

Interview: Marjorie Hyams

Interview: Marjorie Hyams

The George Shearing Quintet's “sound" was hugely dependent on the musical hand-holding of the piano and vibes. All of the instruments in the late pianist's quintet were vital, of course. But it was the block chords of the piano tempered by the daintiness of the vibes that both excited and charmed listeners. In the original George ...

82

News: Interview

Buddy DeFranco on Shearing

Buddy DeFranco on Shearing

When people talk about the “George Shearing sound," they are referring to a special combination of instruments that the pianist first assembled in late 1948—and how he arranged those instruments to produce a gentle, swinging approach to jazz. The instrument mix—piano, vibes, guitar, bass and drums—tricks the ear into thinking it's listening to a much larger ...

50

News: Obituary

George Shearing: 1919-2011

George Shearing: 1919-2011

George Shearing, a British-born pianist whose blindness at birth gave him a heightened sense of time and harmony, and whose fondness for elegant swing and bebop led to the development of an enormously successful quintet sound in 1949, died of heart failure yesterday, February 14, in Manhattan. He was 91. A professional musician since the late ...

43

News: Book / Magazine

Herb Snitzer: Glorious Days and Nights

Herb Snitzer: Glorious Days and Nights

I don't think of Herb Snitzer as a photographer, although that's exactly what he is. Herb to me is a sculptor, someone who uses his hands to preserve the souls of his jazz subjects. His images offer textured revelations and make me feel as though I've just run my own hands slowly across his subjects' faces. ...

57

News: Recording

Hidden Jazz Downloads (Vol. 17)

Hidden Jazz Downloads (Vol. 17)

Have your allowance money for this week? Good, because it's time once again for Hidden Jazz Downloads, a regular JazzWax feature. Since we no longer can hang around record stores reading the liner notes on the backs of new LPs or cruise CD stores pawing the latest discs in racks above the bins, I have roamed ...

48

News: Interview

Photostory: Fayard Nicholas

Photostory: Fayard Nicholas

Fayard Nicholas was half the Nicholas Brothers dance team, whose spectacular gravity-defying routines were the highlights of films like Sun Valley Serenade (1941), Orchestra Wives (1942), Stormy Weather (1943), The Pirate (1948) and many others. Paul Slaughter had the honor of photographing Fayard Nicholas several times. [Photo of Fayard Nicholas in 1983 by Paul Slaughter] Here's ...

81

News: Recording

Toni Harper: Japan, 1963

Toni Harper: Japan, 1963

My posts on singer Toni Harper began back in December, after I discovered an obscure album in Oscar Peterson's discography called Toni Harper Sings! (1956). At the end of January, to my great surprise and delight, Toni emailed me and answered many of the questions that I had raised about the Peterson session. [Pictured: An extended ...

43

News: Interview

Interview: B.B. King

Interview: B.B. King

Proud of your vast CD collection? Think your iTunes library is bursting with great stuff? Trust me, B.B. King has you beat. Two weeks ago, when I was in Missouri to interview the 85-year-old blues legend while he was touring on the road, I spent time with “the Boss" in the back of his cozy bus. ...


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