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Buddy Defranco + Tommy Gumina
Among the least known but most fascinating jazz recordings of the early 1960s are five albums recorded by a quartet co-led by clarinetist Buddy DeFranco and accordionist Tommy Gumina. The first album was recorded for Decca in 1960 while the balance were done for Mercury through 1964. For some odd reason, none of the albums have ...
Gerry Mulligan Plays Mulligan
When most jazz fans think about Gerry Mulligan in the early 1950s, two recordings come to mind: his March 1950 session with the Miles Davis Nonet (later coined Birth of the Cool) and his influential August 1952 pianoless quartet date in Los Angeles with Chet Baker, Bob Whitlock and Chico Hamilton. The California session would mark ...
Kenny Burrell: Soul Call
Kenny Burrell has appeared on nearly 600 jazz record dates between 1950 and 2008, which is an eyebrow raiser. One of the busiest session guitarists of the '50s, 60s and '70s, many of his jazz dates were sideman jobs. Burrell was a favorite of leaders for his chameleon-like ability to be groovy, soulful, bluesy, swinging or ...
Willy Deville: A Little Bit Closer
Willy DeVille is all but forgotten today. Back in 1974, the singer- songwriter founded Mink DeVille, a punk-art band that recorded six albums between 1977 and 1985, all of them excellent. He recorded additional albums as Willy DeVille from 1987 until 2005. As I write in my Wall Street Journal review today (go here) of a ...
Interview: Marcos Valle (Part 3)
Upon his return to Rio in 1968 following an extended American tour, Marcos Valle began to record with a new confidence. His music also took on a more percussive and rock feel as Brazilian music changed and developed over the decades. But he also retained his knack for passionate ballads and spirited songs with catchy melodies. ...
Interview: Marcos Valle (Part 2)
Marcos Valle has a way with a melody, whether he's singing in Portuguese or English or simply playing the piano. Three albums are perfect evidence of his poetic ability: Braziliance! (1967) Samba '68 (1968) and Viola Enluarada (1968). In each case, you hear how Marcos baits a melody line to seduce the listener. Even songs with ...
Interview: Marcos Valle (Part 1)
The bossa nova was conceived in Rio in the mid-'50s by a generation of highly gifted singer- songwriters who loved West Coast jazz and adapted its lyrical approach to cool off and personalize the samba. Among these Brazilian innovators were Antonio Carlos Jobim, Joao Gilberto, Luiz Bonfa, Joao Donato and Vinicius de Moraes. By the early ...
JazzSnap: Harry James (C. 1943)
The saxophonist here is Corky Corcoran, lead tenor on Harry James' band recordings from 1941 through the 1970s. That's James on trumpet, of course, and James band stringman John deVoodgt to James' right. I'm guessing this is 1943 based on the cut of their suits and the fabulous 1943 newspaper photo of James on the right. ...
Interview: Booker T. Jones
Not sure who Booker T. Jones is? If I took away “Jones," would that help? Yep, he's that Booker T. In today's Wall Street Journal (go here), I interview Booker T. of Booker T. & the M.G.'s about his new solo album, The Road From Memphis, as well as a range of other topics. [Photo by ...
Roy Orbison: Monument Singles
With images of lower Memphis struggling with a swollen Mississippi River, I spent yesterday listening to Roy Orbison: The Monument Singles Collection (1960-1964), a newly remastered, three-disc set from Sony Legacy. As readers know, I love everything about Memphis—the energy, the kindness of strangers, the ribs and pork shoulder, the city's rich blues and rock history, ...
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