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News: Recording

Lucky Thompson + Henri Renaud

Lucky Thompson + Henri Renaud

In late February 1956, tenor saxophonist Lucky Thompson relocated to Paris. Disenchanted with the American recording scene and the executives on the business side who routinely and happily took advantage of artists, Thompson sought refuge among French musicians who admired and respected him. A deeply romantic player with a strong, husky tone reminiscent of Don Byas, ...

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News: Recording

Bill Evans: The Dolphin

Bill Evans: The Dolphin

Today, I'd like to return to multiple flutes in a jazz setting. In previous posts, I looked at several albums that featured this construct, including Buddy Collette's two albums with the Swinging Shepherds (here) and Henry Mancini's Fluter's Ball, Herbie Mann's I've Told Every Little Star and Nelson Riddle's arrangements for Frank Sinatra on I Guess ...

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News: Recording

Power Bands of the '50s

Power Bands of the '50s

Duke Ellington, Harry James, Count Basie, Stan Kenton, Woody Herman, Les Brown and Charlie Barnet all piloted top-notch bands in the 1950s. But there were plenty of other superb leaders and bands who recorded during the early LP era. They didn't have marquee names and didn't record as often as the familiar ones, but their albums ...

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News: Music Industry

Stanley Turrentine: At the Shack

Stanley Turrentine: At the Shack

On April 25, 1960, organist Jimmy Smith recorded for Blue Note with tenor saxophonist Stanley Turrentine and drummer Donald “Duck" Bailey at Rudy Van Gelder's studio in Englewood Cliffs, N.J. Smith handled the bass line with his feet on the organ's pedalboard while the 26-yeat-old Turrentine took the sax solos. The album was Smith's Back to ...

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News: Recording

"Lockjaw" Davis: Jaws in Orbit

"Lockjaw" Davis: Jaws in Orbit

For jazz to ignite on record, there needs to be three factors in place. First, you need the right combination of artists, which is harder than it may seem. We've all listened to albums that fall flat despite a stellar personnel. Second, you need the artists in the right frame of mind—meaning all in the same ...

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News: Video / DVD

Blossom Dearie: It's Spring!

Blossom Dearie: It's Spring!

For me, no other jazz voice sounds as much like spring than Blossom Dearie's. The jazz pianist, arranger and vocalist had a child-like timbre, which was deceptive, since in truth she was an enormously gifted pianist and vocalist. Dearie died in 2009. Here are three videos of Dearie that will make you feel like the season... ...

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News: Obituary

Marty Napoleon (1921-2015)

Marty Napoleon (1921-2015)

Marty Napoleon, a stride pianist who was as at home playing New Orleans and Chicago jazz as he was swing and who played with numerous bands and ensembles from the 1940s on, most notably Louis Armstrong and the All Stars, died on April 27. He was 93. [Photo above of Marty Napoleon and his late wife, ...

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News: Recording

Dizzy Gillespie in London, 1973

Dizzy Gillespie in London, 1973

In August 1973, the Dizzy Gillespie Quintet went into Ronnie Scott's jazz club in London for a two-week stay. Gillespie was backed by Al Gafa on guitar, Mike Longo on piano, Earl May on electric bass and Mickey Roker on drums. The gig was recorded by the club, one assumes. The results have been issued on ...

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News: Recording

Tony Bennett and Bill Evans

Tony Bennett and Bill Evans

In 2009, the last time I wrote about the two albums recorded by Bill Evans and Tony Bennett (The Tony Bennett/Bill Evans Album in 1975 and Together Again in 1976), I was rather hard on the work, viewing the albums as an overrated, operatic mess. Back then, I found the pairing to be a mismatch—two great ...

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News: Recording

8 More MPS Jazz Records

8 More MPS Jazz Records

Back in March, I posted about three albums originally released on Germany's MPS label—It's Nice to Be With You (1969) by Jim Hall, Intercontinental (1970) by Joe Pass and Rass! (1974) by Monty Alexander. As noted, Edel AG, an independent German music and entertainment group, acquired the MPS catalog in 2014 and has been re-issuing jazz ...


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