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Doc: The Jazz Baroness
If Baroness Pannonica de Koenigswarter hadn't moved to New York in 1951, we'd probably have far fewer recordings by Thelonious Monk. Nica, as she was known, was a member of the wealthy Rothschild family, and her decision to relocate to Manhattan came after separating from her husband. She left her five children behind and took a ...
Walter Davis Jr.: Davis Cup
On August 2, 1959, Rudy Van Gelder opened his newly built Englewood Cliffs, N.J., recording studio. Between 1952 and August 1959, Rudy had been recording jazz albums for Blue Note and other labels in a soundproof room at his parents modernist white stucco home a few miles away in Hackensack. The first album recorded in Hackensack ...
Mike Wofford: Jerome Kern
Sometimes you must give an artist time to reveal himself. That's certainly the case with pianist Mike Wofford, who has been recording jazz since 1962, starting with The Shorty Rogers Quintet With Guest Vocalist Jeri Southern. Over the 18 years that followed, Wofford accompanied Larry Bunker (Live at Shelly's Manne-Hole), Joe Pass (Joy Spring), Shelly Manne ...
Father Tom Vaughn: Village Gate
In the post-war jazz universe, two men of the cloth stand out. The first was Father Norman O'Connor, who was known as the Jazz Priest." Boston University's Catholic chaplain in 1951, O'Connor was a board member of the first Newport Jazz Festival in 1954 and appeared in his priest collar when serving as master of ceremonies ...
Six Videos: Big-Band Gillespie
From his earliest days in the trumpet sections of big bands led by Teddy Hill, Cab Calloway, Les Hite, Lucky Millinder and Billy Eckstine, Dizzy Gillespie wanted to front an orchestra of his own. His first shot came in 1946 when he recorded for Musicraft and played New York cubs. His bebop band continued into 1947, ...
Michael Garrick: Oct. Woman
Michael Garrick was an English jazz pianist who today is little known in the U.S. Born in 1933, Garrick was a self-taught musician who majored in English literature. Emerging from college in 1959 into a British world where mod jazz and poetry were trending, Garrick wound up the musical director of Poetry & Jazz in Concert, ...
Four Lee Morgan Videos
Lee Morgan was a fluid burner. His trumpet could be fleshy and warm on ballads and sharp and darting on up-tempo songs. His staccato-like lines grabbed your attention, but he resisted making the instrument sizzle by pouring too much heat into his notes. His edge was an ingredient, not a means to and end. Here's Lee ...
Chet Baker: Time Unhinged
Chet Baker was a jazz romantic quietly frustrated that the passage of time refused to slow down. The early 1950s was his moment, and the years that followed moved like sand through his hands, leaving him confounded and depressed. Like a movie star who suddenly grows too old for the parts he or she played best, ...
Steve Allen's Music Room: 1984
Imagine a talk show where vibraphonist Terry Gibbs led a band consisting of trumpeters Conti Candoli, his brother Pete Candoli and Chuck Findley; trombonists Carl Fontana and Charlie Loper; saxophonsits Med Flory, Gus Vivona, Plas Johnson, Jerome Richardson and Bill Green; pianist Alan Broadbent; guitarist Tommy Tedesco; bassist Chuck Berghoffer; and drummer Frankie Capp. And let's ...
Chico Hamilton: At Strollers
In August 1955, promoter Maynard Sloate booked a quirky quintet into Strollers, a jazz club at 27 Locust Avenue in Long Beach, Calif. The quintet led by drummer Chico Hamilton featured Buddy Collette (as,ts,cl,fl), Fred Katz (cello), Jim Hall (g), Carson Smith (b) and Hamilton (d). There was no cover or minimum. Branded a chamber jazz ...


